The Château de Montpoupon is named after a Germanic tribe, the Poppo, who settled here on the rocky promontory at the time of Charlemagne. The site thus came to be known as Mons Poppo (the hill of the Poppos).With the passage of time this evolved into Montpoupon.
At the end of the Middle Ages, the château passed into the hands of the Lords de Prie et de Buzançais, a family who were to leave their mark. In 1460, Antoine de Prie and his wife, Madeleine d’Amboise restored the château which had been left in poor condition at the end of the Hundred Years War.
In 1763 the Marquis de Tristan, Mayor of Orléans acquired the property. The Marquis turned his hand to restoring the château to a semblance of its former glory. However, his initiative was curtailed by the onset of the Revolution; fortunately despite the terror of the time, only the chapel was destroyed and the château remained intact. In 1840 the château underwent further transformation at the hands of its new owner, M. de Farville with the construction of the present outbuildings.
Finally, in 1857, Jean Baptiste de la Motte Saint Pierre acquired the estate. At the turn of the century the family began the work which was to restore the château to the Renaissance appearance it has to-day. In memory of his family, the present owner, the Count of Louvencourt, nephew of the above, has set up the magnificent Musée du veneur (Hunting Museum) in the outbuildings.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.