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Founded: c. 800 ADCategory: Prehistoric and archaeological sites in Sweden
Historical period: Viking Age (Sweden)
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The Sparlösa Runestone, listed as Vg 119 in the Rundata catalog, is the second most famous Swedish runestone after the Rök Runestone. It was discovered in 1669 in the southern wall of the church of Sparlösa. Before their historical value was understood, many runestones were used as construction material for roads, walls, and bridges. Following a fire at the church in 1684, the runestone was split in rebuilding the wall. It was removed from the wall in 1937 and the two sections merged.
The stone is 1.77 metres tall and it is dated to about 800 AD based upon its transitional use of rune forms from both the elder and younger futhark, but it has a probably younger line added to it saying Gisli made this memorial after Gunnar, his brother. The dating is based on the style of the images, such as a ship, which suggest the 8th century, like similar images from Gotland. However, a sail on the ship suggests a later dating than the 8th century.
The runestone is famous for its depictions and its tantalizing and mysterious references to a great battle, the names Eric and Alrik, the father who resided in Uppsala and the text descending from the gods. The stone provides an early attestation of the place name Uppsala, and the two personal names Eric ('complete ruler') and Alrik ('everyone's ruler') are both royal names, known to have been worn by the semi-legendary Swedish Yngling dynasty at Uppsala. Moreover, the mention of a great battle is suggestive of the equally semi-legendary Swedish-Geatish wars that are mentioned in Beowulf.
The words runaR ræginkundu meaning 'runes of devine origin' are also in the runic text on the Noleby Runestone and would appear in stanza 79 of the Hávamál of the Poetic Edda several centuries later.
The runestone has imagery on four of its sides which apparently are unrelated to the runic text. One side has a building at the top that is over a crescent ship with a sail marked with a cross and with two birds, possibly peacocks, on its yardarms. At the bottom is a man on horseback hunting a stag and using a hunting leopard, which is not native to Sweden. The next side has an owl, with a head reminding of a lion's, and a goose fighting a snake. One side has a man and a cross band. One suggested interpretation is that the images on the stone are a memorial to Theodoric the Great, king of the Ostrogoths from 471 to 526 AD, with the building depicted on the stone a representation of his mausoleum. The other images, such as the crescent ship and the lion fighting the snake, are interpreted as iconography of the Arian Christian faith.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.