Belarusian National Arts Museum is the largest museum in the country. More than twenty seven thousand works of art – creating twenty miscellaneous collections and comprising two main representative ones: the one of national art and the other of monuments of art of the countries and nations of the world – can be found on exposition, at the branches of the Museum and its depositories.
The Museum’s official history begins on January, 24 in 1939 when under the Resolution of the Council of People's Commissars of Belarus the State Art Gallery has been created in Minsk. At the beginning of 1941 the Belarusian State Art Gallery’s funds and stocks had already numbered nearly 2711 art works out of which four hundred were on exhibition. A long-term work on the description and study of each monument as well as on the creation of the museum collection’s catalogue was to be done. The fate of the whole collection was tragically unfavorable during the first days of the World War II. In a short time it would disappear without even leaving a trace.
After the war merely a small part of the works of art was returned, mainly those which before the War had been at the exhibitions in Russia. In spite of the postwar devastation, when Minsk lay in ruins, the Government of Belarus allocated considerable sums of money for purchasing works of art for the Gallery. It was already in August 1945 when the canvases by Boris Kustodiev, Vasily Polenov, Karl Briullov and Isaak Levitan were obtained.
The construction of the new building of the Belarusian State Art Gallery with the ten spacious halls, occupying two floors and a large gallery, was finished in 1957. In those years the Museum’s collection had already reached the pre-war level and included about three thousand works of Russian, Soviet and Belarusian art.
The period of the 1970s and the early 1980s was a peak of the Museum’s exhibition activity. The collection of the Belarusian modern painting and graphic arts were taken from the Museum’s funds for exhibitions abroad. Since 1993 the Museum has been called the National Art Museum of the Republic of Belarus.
References:The Château de Foix dominates the town of Foix. An important tourist site, it is known as a centre of the Cathars. Built on an older 7th-century fortification, the castle is known from 987. In 1002, it was mentioned in the will of Roger I, Count of Carcassonne, who bequeathed the fortress to his youngest child, Bernard. In effect, the family ruling over the region were installed here which allowed them to control access to the upper Ariège valley and to keep surveillance from this strategic point over the lower land, protected behind impregnable walls.
In 1034, the castle became capital of the County of Foix and played a decisive role in medieval military history. During the two following centuries, the castle was home to Counts with shining personalities who became the soul of the Occitan resistance during the crusade against the Albigensians.