The Halle Gate is a medieval fortified city gate of the second walls of Brussels. It is now a museum, part of the Royal Museums for Art and History. Built in 1381, the gate was named for the city of Halle in Flemish Brabant which it faces. The original gate included a portcullis and drawbridge over a moat. The structures that housed these are still visible.
While the other six gateways and the defensive walls were demolished, the Halle Gate survived as it was used as a prison. It was at other times used as a customs house, for grain storage, and a Lutheran church.
The architect Henri Beyaert restored the building between 1868 and 1870, changing the austere medieval tower with more romantic Neo Gothic embellishments. The outer entrance, now facing Saint-Gilles, is closer to the original appearance. In front of the inner gate, facing the city of Brussels, Beyaert added a circular tower topped by a conical roof, containing a monumental spiral staircase. Beyaert also added turrets and a large roof.
In 1847 the Halle Gate became part of Belgium's Museum of Armour, Antiquity and Ethnology, now named the Royal Museums for Art and History. By 1889, the Halle Gate was too small to house most of the collection, and most was relocated to the Cinquantenaire Museum. It continued to display armour and weapons.
In 1976, the building was in a dangerous state of disrepair and was closed. Finally renovations began, and the Gate was reopened in 1991. Further restoration was stalled by lack of money, and the museum only housed temporary exhibitions.
In March 2007 a new extensive restoration was begun. The Halle Gate finally reopened on June 6, 2008. Finally the St Gilles (drawbridge) entrance was opened as the prestigious main entrance to the building. The museum includes exhibits about the history of the building, and of the city of Brussels and its defence. The collection includes the parade armor of Archduke Albert of Austria.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.