The Church of Our Lady (Frauenkirche) is undoubtedly the most famous landmark in the city of Munich. Its impressive domed twin towers rising a hundred metres into the sky can be seen from miles around. This triple-naved late-Gothic cathedral in Munich"s old quarter, which houses art treasures spanning five centuries, is the cathedral church of the Archbishop of Munich and Freising.
The late-Gothic brick edifice with its colossal saddleback roof, erected by Jörg von Hasbach between 1468 and 1488, towers over the other buildings in Munich"s old quarter. The Church of Our Lady is one of the largest hall churches in southern Germany. Despite its dimensions, it is the beauty and simplicity of the church which captivate its visitors. Inside there are many precious art treasures, such as the choir windows from the late 14th century which originate from the previous church, the figures of the apostles and prophets by Erasmus Grasser, and 18th century gilded reliefs by Ignaz Günther depicting scenes from the life of the Virgin Mary. The oldest tombs of the House of Wittelsbach are found in the royal vault under the choir, among them Emperor Ludwig the Bavarian and his sons.
The altars and the side altars, remodelled in the baroque style, are especially beautiful, as are the chapels which contain works by various artists, including van Dyck"s Christ on the Cross. Legend has it that the devil demanded the church be built without windows. When he went inside to inspect the building, he left behind a footprint in the entrance to the church. Thanks to an architectural illusion, no windows can be seen from the 'devil"s footprint' just inside the door, and the devil left satisfied. The towers house a total of ten bells with beautiful chimes, which are rung at different times throughout the day and on special occasions. The bells are amongst the most valuable and historical in Germany.
The Church of Our Lady has seating for 4,000 people and is always well attended. The south tower is open to the public. From the top, which can be reached either on foot or by lift, there is a splendid view of the city and the nearby Alps.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.