Top Historic Sights in Maribo, Denmark

Explore the historic highlights of Maribo

Maribo Cathedral

Maribo Abbey, established in 1416, was the first Bridgettine monastery in Denmark and became one of the most important Danish abbeys of the late Middle Ages. The monastery is in ruins, but the abbey church still remains in use as Maribo Cathedral. Originally dedicated to the Virgin Mary and Saint Bridget of Vadstena, the church was built in the early 15th century. It was Queen Margrethe I who provided land for a monaster ...
Founded: 1416 | Location: Maribo, Denmark

Engestofte Church

Engestofte Church was built around the year 1100. The whitewashed Gothic church was restored in 1856-57. Pews, organ case and pulpit in modern Gothic style are painted to look like oak, and the pulpit, decorated by Willie the carver - Copenhagen, furthermore with gilt. The altarpiece is a late Gothic cabinet with double side panels, certainly a work from Lübeck from about 1510. It is considered to be among the most b ...
Founded: c. 1100 | Location: Maribo, Denmark

Hunseby Church

Hunseby Church was built in the mid-1100s with a Romanesque chancel and nave and a Gothic tower. The church was originally dedicated to St. Andrew as can be seen from the inscription on the oldest bell from 1465. From Romanesque inscriptions in the stonework supporting an old portal, it appears the church must have existed in the middle of the 12th century. Little is known of its early ownership apart from the fact that t ...
Founded: 12th century | Location: Maribo, Denmark

Krønge Church

The small Krønge Church was made of red bricks around the year 1100. It was formerly the property of Søholt Castle. The church consists of choir, nave and porch, but the church has no tower. The altar was made in 1643 and Renaissance pulpit in early 1600s. The church contains an epitaph dated 1706, which is written in German.
Founded: c. 1100 | Location: Maribo, Denmark

Femø Church

Femø Church was built around 1500. It was consecrated for Sankt Nikolaus, the patron saint of mariners. The remarkable crucifix has been made in c. 1300. It was placed in the church in 1939. The former altarpiece is standing in the steeple room. The font is a piece of Gothic limestone creation with tip curved sepals, which are fetched from Gotland. There are a birth basin made of brass in the year of 1859 and a bir ...
Founded: c. 1500 | Location: Maribo, Denmark

Bursø Church

Bursø Church was built in the 12th century. It doesn’t have much decoration, but there is a fresco in the chorus. The altarpiece dates from 1689. It was a gift from prefect H.U. von Lutzow and his wife E.C. von Schager. Their coat of arms is displayed on it. The church has no tower.
Founded: 12th century | Location: Maribo, Denmark

Hillested Church

Hillested Church dates from the c. 1200. It is a Romanesque village church, built of large stones with clearly extensions. The altar dates from 1588 with a later reredos. Pulpit dates from the Renaissance period.
Founded: c. 1200 | Location: Maribo, Denmark

Søholt Manor

Søholt estate was first time mentioned in 1389. The current main building dates from 1804 and it was restored in 1853. The pavilion from 1822 has been survived.
Founded: 1804 | Location: Maribo, Denmark

Skørringe Church

The whitewashed Skørringe Church was built of so-called monk stones around 1200. The tower was not added until in 1700s. The church has a beautifully kept churchyard. Inside there is a plaster relief of a famous work by Danish sculptor Bertel Thorvalsen.
Founded: c. 1200 | Location: Maribo, Denmark

Featured Historic Landmarks, Sites & Buildings

Historic Site of the week

Charlottenburg Palace

Charlottenburg Palace is the largest palace in Berlin and the only surviving royal residence in the city dating back to the time of the Hohenzollern family. The original palace was commissioned by Sophie Charlotte, the wife of Friedrich III, Elector of Brandenburg in what was then the village of Lietzow. Originally named Lietzenburg, the palace was designed by Johann Arnold Nering in baroque style. The inauguration of the palace was celebrated on 11 July 1699, Frederick's 42nd birthday.

Friedrich crowned himself as King Friedrich I in Prussia in 1701 (Friedrich II, known as Frederick the Great, would later achieve the title King of Prussia). Two years previously, he had appointed Johann Friedrich von Eosander (also known as Eosander von Göthe) as the royal architect and sent him to study architectural developments in Italy and France, particularly the Palace of Versailles. On his return in 1702, Eosander began to extend the palace, starting with two side wings to enclose a large courtyard, and the main palace was extended on both sides. Sophie Charlotte died in 1705 and Friedrich named the palace and its estate Charlottenburg in her memory. In the following years, the Orangery was built on the west of the palace and the central area was extended with a large domed tower and a larger vestibule. On top of the dome is a wind vane in the form of a gilded statue representing Fortune designed by Andreas Heidt. The Orangery was originally used to overwinter rare plants. During the summer months, when over 500 orange, citrus and sour orange trees decorated the baroque garden, the Orangery regularly was the gorgeous scene of courtly festivities.

Inside the palace, was a room described as 'the eighth wonder of the world', the Amber Room, a room with its walls surfaced in decorative amber. It was designed by Andreas Schlüter and its construction by the Danish amber craftsman Gottfried Wolfram started in 1701. Friedrich Wilhelm I gave the Amber Room to Tsar Peter the Great as a present in 1716.

When Friedrich I died in 1713, he was succeeded by his son, Friedrich Wilhelm I whose building plans were less ambitious, although he did ensure that the building was properly maintained. Building was resumed after his son Friedrich II (Frederick the Great) came to the throne in 1740. During that year, stables for his personal guard regiment were completed to the south of the Orangery wing and work was started on the east wing. The building of the new wing was supervised by Georg Wenzeslaus von Knobelsdorff, the Superintendent of all the Royal Palaces, who largely followed Eosander's design. The decoration of the exterior was relatively simple but the interior furnishings were lavish. The ground floor was intended for Frederick's wife Elisabeth Christine, who, preferring Schönhausen Palace, was only an occasional visitor. The decoration of the upper floor, which included the White Hall, the Banqueting Hall, the Throne Room and the Golden Gallery, was lavish and was designed mainly by Johann August Nahl. In 1747, a second apartment for the king was prepared in the distant eastern part of the wing. During this time, Sanssouci was being built at Potsdam and once this was completed Frederick was only an occasional visitor to Charlottenburg.

In 1786, Frederick was succeeded by his nephew Friedrich Wilhelm II who transformed five rooms on the ground floor of the east wing into his summer quarters and part of the upper floor into Winter Chambers, although he did not live long enough to use them. His son, Friedrich Wilhelm III came to the throne in 1797 and reigned with his wife, Queen Luise for 43 years. They spent much of this time living in the east wing of Charlottenburg. Their eldest son, Friedrich Wilhelm IV, who reigned from 1840 to 1861, lived in the upper storey of the central palace building. After Friedrich Wilhelm IV died, the only other royal resident of the palace was Friedrich III who reigned for 99 days in 1888.

The palace was badly damaged in 1943 during the Second World War. In 1951, the war-damaged Stadtschloss in East Berlin was demolished and, as the damage to Charlottenburg was at least as serious, it was feared that it would also be demolished. However, following the efforts of Margarete Kühn, the Director of the State Palaces and Gardens, it was rebuilt to its former condition, with gigantic modern ceiling paintings by Hann Trier.

The garden was designed in 1697 in baroque style by Simeon Godeau who had been influenced by André Le Nôtre, designer of the gardens at Versailles. Godeau's design consisted of geometric patterns, with avenues and moats, which separated the garden from its natural surroundings. Beyond the formal gardens was the Carp Pond. Towards the end of the 18th century, a less formal, more natural-looking garden design became fashionable. In 1787 the Royal Gardener Georg Steiner redesigned the garden in the English landscape style for Friedrich Wilhelm II, the work being directed by Peter Joseph Lenné. After the Second World War, the centre of the garden was restored to its previous baroque style.