The Bronze Age
History of Estonia between 1800 BC - 501 BC
The beginning of the Bronze Age in Estonia is dated to approximately 1800 BC. The development of the borders between the Finnic peoples and the Balts was under way. The first fortified settlements, Asva and Ridala on the island of Saaremaa and Iru in the Northern Estonia began to be built. The development of shipbuilding facilitated the spread of bronze. Changes took place in burial customs, a new type of burial ground spread from Germanic to Estonian areas, stone cist graves and cremation burials became increasingly common aside a small number of boat-shaped stone graves.
About 7th century BC, a big meteorite hit Saaremaa island and created the Kaali craters. About 325 BC, the Greek explorer Pytheas possibly visited Estonia. The Thule island he described has been identified as Saaremaa by Lennart Meri, though this identification is not widely considered probable, as Saaremaa lies far south of the Arctic Circle.
Reference: Wikipedia
Popular sites founded between 1800 BC and 501 BC in Estonia
Asva Settlement
Behind the small Asva village on a low-lying hayfield is located one of the most archaeologically important bronze-age sites in Northern Europe. This site, Asva, has given its name to an entire culture. Asva culture was the westernmost reach of the Finno-Ugrian late Bronze Age culture. This culture was based on herding, seal hunting, the beginnings of agriculture and, bronze casting. During the Bronze Age, the ridge on w ...Featured Historic Landmarks, Sites & Buildings
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Royal Palace of Naples
Royal Palace of Naples was one of the four residences near Naples used by the Bourbon Kings during their rule of the Kingdom of the Two Sicilies (1734-1860): the others were the palaces of Caserta, Capodimonte overlooking Naples, and the third Portici, on the slopes of Vesuvius.
Construction on the present building was begun in the 17th century by the architect Domenico Fontana. Intended to house the King Philip III of Spain on a visit never fulfilled to this part of his kingdom, instead it initially housed the Viceroy Fernando Ruiz de Castro, count of Lemos. By 1616, the facade had been completed, and by 1620, the interior was frescoed by Battistello Caracciolo, Giovanni Balducci, and Belisario Corenzio. The decoration of the Royal Chapel of Assumption was not completed until 1644 by Antonio Picchiatti.
In 1734, with the arrival of Charles III of Spain to Naples, the palace became the royal residence of the Bourbons. On the occasion of his marriage to Maria Amalia of Saxony in 1738, Francesco De Mura and Domenico Antonio Vaccaro helped remodel the interior. Further modernization took place under Ferdinand I of the Two Sicilies. In 1768, on the occasion of his marriage to Maria Carolina of Austria, under the direction of Ferdinando Fuga, the great hall was rebuilt and the court theater added. During the second half of the 18th century, a 'new wing' was added, which in 1927 became the Vittorio Emanuele III National Library. By the 18th century, the royal residence was moved to Reggia of Caserta, as that inland town was more defensible from naval assault, as well as more distant from the often-rebellious populace of Naples.
During the Napoleonic occupation the palace was enriched by Joachim Murat and his wife, Caroline Bonaparte, with Neoclassic decorations and furnishings. However, a fire in 1837 damaged many rooms, and required restoration from 1838 to 1858 under the direction of Gaetano Genovese. Further additions of a Party Wing and a Belvedere were made in this period. At the corner of the palace with San Carlo Theatre, a new facade was created that obscured the viceroyal palace of Pedro de Toledo.
In 1922, it was decided to transfer here the contents of the National Library. The transfer of library collections was made by 1925.
The library suffered from bombing during World War II and the subsequent military occupation of the building caused serious damage. Today, the palace and adjacent grounds house the famous Teatro San Carlo, the smaller Teatrino di Corte (recently restored), the Biblioteca Nazionale Vittorio Emanuele III, a museum, and offices, including those of the regional tourist board.