The Bronze Age
History of Estonia between 1800 BC - 501 BC
The beginning of the Bronze Age in Estonia is dated to approximately 1800 BC. The development of the borders between the Finnic peoples and the Balts was under way. The first fortified settlements, Asva and Ridala on the island of Saaremaa and Iru in the Northern Estonia began to be built. The development of shipbuilding facilitated the spread of bronze. Changes took place in burial customs, a new type of burial ground spread from Germanic to Estonian areas, stone cist graves and cremation burials became increasingly common aside a small number of boat-shaped stone graves.
About 7th century BC, a big meteorite hit Saaremaa island and created the Kaali craters. About 325 BC, the Greek explorer Pytheas possibly visited Estonia. The Thule island he described has been identified as Saaremaa by Lennart Meri, though this identification is not widely considered probable, as Saaremaa lies far south of the Arctic Circle.
Reference: Wikipedia
Popular sites founded between 1800 BC and 501 BC in Estonia
Asva Settlement
Behind the small Asva village on a low-lying hayfield is located one of the most archaeologically important bronze-age sites in Northern Europe. This site, Asva, has given its name to an entire culture. Asva culture was the westernmost reach of the Finno-Ugrian late Bronze Age culture. This culture was based on herding, seal hunting, the beginnings of agriculture and, bronze casting. During the Bronze Age, the ridge on w ...Featured Historic Landmarks, Sites & Buildings
Historic Site of the week
Church of the Savior on Blood
The Church of the Savior on Spilled Blood is one of the main sights of St. Petersburg. The church was built on the site where Tsar Alexander II was assassinated and was dedicated in his memory. Construction began in 1883 under Alexander III, as a memorial to his father, Alexander II. Work progressed slowly and was finally completed during the reign of Nicholas II in 1907. Funding was provided by the Imperial family with the support of many private donors.
Architecturally, the Cathedral differs from St. Petersburg's other structures. The city's architecture is predominantly Baroque and Neoclassical, but the Savior on Blood harks back to medieval Russian architecture in the spirit of romantic nationalism. It intentionally resembles the 17th-century Yaroslavl churches and the celebrated St. Basil's Cathedral in Moscow.
The Church contains over 7500 square metres of mosaics — according to its restorers, more than any other church in the world. The interior was designed by some of the most celebrated Russian artists of the day — including Viktor Vasnetsov, Mikhail Nesterov and Mikhail Vrubel — but the church's chief architect, Alfred Alexandrovich Parland, was relatively little-known (born in St. Petersburg in 1842 in a Baltic-German Lutheran family). Perhaps not surprisingly, the Church's construction ran well over budget, having been estimated at 3.6 million roubles but ending up costing over 4.6 million. The walls and ceilings inside the Church are completely covered in intricately detailed mosaics — the main pictures being biblical scenes or figures — but with very fine patterned borders setting off each picture.
In the aftermath of the Russian Revolution, the church was ransacked and looted, badly damaging its interior. The Soviet government closed the church in the early 1930s. During the Second World War when many people were starving due to the Siege of Leningrad by Nazi German military forces, the church was used as a temporary morgue for those who died in combat and from starvation and illness. The church suffered significant damage. After the war, it was used as a warehouse for vegetables, leading to the sardonic name of Saviour on Potatoes.
In July 1970, management of the Church passed to Saint Isaac's Cathedral (then used as a highly profitable museum) and proceeds from the Cathedral were funneled back into restoring the Church. It was reopened in August 1997, after 27 years of restoration, but has not been reconsecrated and does not function as a full-time place of worship; it is a Museum of Mosaics. Even before the Revolution it never functioned as a public place of worship; having been dedicated exclusively to the memory of the assassinated tsar, the only services were panikhidas (memorial services). The Church is now one of the main tourist attractions in St. Petersburg.