History of Finland between 1500 BC - 501 BC
The Bronze Age began some time after 1500 BCE. The coastal regions of Finland were a part of the Nordic Bronze Culture, whereas in the inland regions the influences came from the bronze-using cultures of Northern and Eastern Russia. The question of the time lines for the evolution and the spreading of the contemporary languages is controversial, and new theories challenging older postulations have been introduced continuously. According to the recently most widespread presumption, Finno-Ugric (or Uralic) languages were first spoken in Finland and the adjacent areas during the (typical) Comb Ceramic period, around 4000 BCE at the latest. During the 2nd millennium BCE these evolved – possibly under an Indo-European (most likely Baltic) influence – into proto-Sami (inland) and proto(-Baltic)-Finnic (coast). However, this theory has been increasingly contested among comparative linguists. It has been suggested instead that the Finno-Ugric languages arrived in Finland later, perhaps only during the Iron Age. The Finnish language is thought to have started to differentiate during the Iron Age starting from the 1st centuries AD onwards.
Cultural influences from all points of the compass are visible in the Finnish archeological finds from the very first settlements onwards. E.g. archaeological finds from Finnish Lapland suggest the presence of the Komsa culture. The Sujala finds equal in age with the earliest Komsa-artefacts from Norway but may suggest also a connection to the Swiderian culture. South-Western Finland belonged to the Nordic Bronze Age, which may be associated with Indo-European languages and according to Finnish Germanist Jorma Koivulehto speakers of Proto-Germanic language in particular. Artefacts found in Kalanti and the province of Satakunta, for long monolingually Finnish, and their place-names have made several scholars argue for an existence of a proto-Germanic speaking population component a little later, during the Early and Middle Iron Age. Old Norse-speaking population settled parts of Finland's coastal areas in the 12th to 13th centuries. Swedish language differentiated from the eastern Norse dialects by the 13th century. During the subsequent Swedish reign over Finland particularly the coastal areas witnessed waves of settlement from Sweden.
The Palazzo Colonna is a palatial block of buildings built in part over ruins of an old Roman Serapeum, and has belonged to the prestigious Colonna family for over twenty generations.
The first part of the palace dates from the 13th century, and tradition holds that the building hosted Dante in his visit to Rome. The first documentary mention notes that the property hosted Cardinal Giovanni and Giacomo Colonna in the 13th century. It was also home to Cardinal Oddone Colonna before he ascended to the papacy as Martin V (1417–1431).
With his passing, the palace was sacked during feuds, and the main property passed into the hands of the Della Rovere family. It returned to the Colonna family when Marcantonio I Colonna married Lucrezia Gara Franciotti Della Rovere, the niece of pope Julius II. The Colonna"s alliance to the Habsburg power, likely protected the palace from looting during the Sack of Rome (1527).
Starting with Filippo Colonna (1578–1639) many changes have refurbished and create a unitary complex around a central garden. Architects including Girolamo Rainaldi and Paolo Marucelli labored on specific projects. Only in the 17th and 18th centuries were the main facades completed. Much of this design was completed by Antonio del Grande (including the grand gallery), and Girolamo Fontana (decoration of gallery). In the 18th century, the long low facade designed by Nicola Michetti with later additions by Paolo Posi with taller corner blocks (facing Piazza Apostoli) was constructed recalls earlier structures resembling a fortification.
The main gallery (completed 1703) and the masterful Colonna art collection was acquired after 1650 by both the cardinal Girolamo I Colonna and his nephew the Connestabile Lorenzo Onofrio Colonna and includes works by Lorenzo Monaco, Domenico Ghirlandaio, Palma the Elder, Salviati, Bronzino, Tintoretto, Pietro da Cortona, Annibale Carracci (painting of The Beaneater), Guercino, Francesco Albani, Muziano and Guido Reni. Ceiling frescoes by Filippo Gherardi, Giovanni Coli, Sebastiano Ricci, and Giuseppe Bartolomeo Chiari celebrate the role of Marcantonio II Colonna in the battle of Lepanto (1571). The gallery is open to the public on Saturday mornings.
The older wing of the complex known as the Princess Isabelle"s apartments, but once housing Martin V"s library and palace, contains frescoes by Pinturicchio, Antonio Tempesta, Crescenzio Onofri, Giacinto Gimignani, and Carlo Cesi. It contains a collection of landscapes and genre scenes by painters like Gaspard Dughet, Caspar Van Wittel (Vanvitelli), and Jan Brueghel the Elder.
Along with the possessions of the Doria-Pamphilij and Pallavacini-Rospigliosi families, this is one of the largest private art collections in Rome.