History of Denmark between 401 AD - 792 AD
Germanic Iron Age is the name modern scholars give to the period 400–800 in Northern Europe, and is part of the continental Age of Migrations. The Germanic Iron Age begins with the fall of the Roman empire and the rise of the Celtic and Germanic kingdoms in Western Europe. During the decline of the Roman empire, an abundance of gold flowed into Scandinavia; there are excellent works in gold from this period. Gold was used to make scabbard mountings and bracteates.
After the Roman empire fell, gold became scarce and Scandinavians began to make objects of gilded bronze, with decorative figures of interlacing animals. In the early phase, the decorations tended to be representational—the animal figures are rather faithful anatomically Later they tended to be more abstract or symbolic—intricate interlaced shapes and limbs like those characteristic of the Viking Age that followed.
Some of the best-known remains from the period in Denmark include the "peat bog corpses", among them the well-preserved bodies of two people deliberately strangled: Tollund Man and Haraldskær Woman. You can also visit Scandinavia’s largest centre of wealth at Gudme, where hoards of gold treasure totalling 10 kg have been found.
Royal Palace of Naples was one of the four residences near Naples used by the Bourbon Kings during their rule of the Kingdom of the Two Sicilies (1734-1860): the others were the palaces of Caserta, Capodimonte overlooking Naples, and the third Portici, on the slopes of Vesuvius.
Construction on the present building was begun in the 17th century by the architect Domenico Fontana. Intended to house the King Philip III of Spain on a visit never fulfilled to this part of his kingdom, instead it initially housed the Viceroy Fernando Ruiz de Castro, count of Lemos. By 1616, the facade had been completed, and by 1620, the interior was frescoed by Battistello Caracciolo, Giovanni Balducci, and Belisario Corenzio. The decoration of the Royal Chapel of Assumption was not completed until 1644 by Antonio Picchiatti.
In 1734, with the arrival of Charles III of Spain to Naples, the palace became the royal residence of the Bourbons. On the occasion of his marriage to Maria Amalia of Saxony in 1738, Francesco De Mura and Domenico Antonio Vaccaro helped remodel the interior. Further modernization took place under Ferdinand I of the Two Sicilies. In 1768, on the occasion of his marriage to Maria Carolina of Austria, under the direction of Ferdinando Fuga, the great hall was rebuilt and the court theater added. During the second half of the 18th century, a 'new wing' was added, which in 1927 became the Vittorio Emanuele III National Library. By the 18th century, the royal residence was moved to Reggia of Caserta, as that inland town was more defensible from naval assault, as well as more distant from the often-rebellious populace of Naples.
During the Napoleonic occupation the palace was enriched by Joachim Murat and his wife, Caroline Bonaparte, with Neoclassic decorations and furnishings. However, a fire in 1837 damaged many rooms, and required restoration from 1838 to 1858 under the direction of Gaetano Genovese. Further additions of a Party Wing and a Belvedere were made in this period. At the corner of the palace with San Carlo Theatre, a new facade was created that obscured the viceroyal palace of Pedro de Toledo.
In 1922, it was decided to transfer here the contents of the National Library. The transfer of library collections was made by 1925.
The library suffered from bombing during World War II and the subsequent military occupation of the building caused serious damage. Today, the palace and adjacent grounds house the famous Teatro San Carlo, the smaller Teatrino di Corte (recently restored), the Biblioteca Nazionale Vittorio Emanuele III, a museum, and offices, including those of the regional tourist board.