History of Finland between 4000 BC - 1501 BC
Around 5300 BCE, - probably - pottery was present in Finland. The earliest samples belong to the Comb Ceramic Cultures, known for their distinctive decorating patterns. This marks the beginning of the neolithic period for Finland, although the subsistence was still based on hunting and fishing. Extensive networks of exchange existed across Finland and Northeastern Europe during the 5th millennium BCE. For example, flint from Scandinavia and Valdai Hills, amber from Scandinavia and the Baltic region and slate from Scandinavia and Lake Onega found their ways into the Finnish archeological sites undes excavatons today and asbestos and soap stone from e.g. the area of Saimaa spread outside of Finland. Rock paintings - apparently related to shamanistic and totemistic belief systems - have been found, especially in Eastern Finland, e.g. Astuvansalmi.
From 3200 BCE onwards, either immigrants or a strong cultural influence from south of the Gulf of Finland settled in Southwestern Finland. This culture was a part of the European Battle Axe cultures, which have often been associated with the movement of the Indo-European speakers. The Battle-Axe - or Cord Ceramic - culture seems to have practiced agriculture and animal husbandry outside of Finland, but the earliest confirmed traces of agriculture in Finland date later, approximately to the 2nd millennium BCE. Further inland, the societies retained their hunting-gathering lifestyles for the time being. The Battle axe and the Comb Ceramic cultures merged, giving rise to the Kiukainen culture which existed between 2300 BCE and 1500 BCE, featuring fundamentally a comb ceramic tradition with cord ceramic characteristics.
Reference: Wikipedia
Previous historical period: Palaeolithic and Mesolithic Age (-150000--4001) | Next historical period: Bronze Age (-1500--501)The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.