The Neolithic Period

History of Estonia between 5000 BC - 1801 BC

The beginning of the Neolithic Period is marked by the ceramics of the Narva culture, and appear in Estonia at the beginning of the 5th millennium. The oldest finds date from around 4900 BC. The first pottery was made of thick clay mixed with pebbles, shells or plants. The Narva-type ceramics are found throughout almost the entire Estonian coastal region and on the islands. The stone and bone tools of the era have a notable similarity with the artifacts of the Kunda culture.

Around the beginning of 4th millennium Comb Ceramic culture arrived in Estonia. Until the early 1980s the arrival of Finnic peoples, the ancestors of the Estonians, Finns, and Livonians, on the shores of the Baltic sea was associated with the Comb Ceramic Culture. However, such a linking of archaeologically defined cultural entities with linguistic ones cannot be proven and it has been suggested that the increase of settlement finds in the period is more likely to have been associated with an economic boom related to the warming of climate. Some researchers have even argued that a Uralic form of language may have been spoken in Estonia and Finland since the end of the last glaciation.

The burial customs of the comb pottery people included additions of figures of animals, birds, snakes and men carved from bone and amber. Antiquities from comb pottery culture are found from Northern Finland to Eastern Prussia. The beginning of the Late Neolithic Period about 2200 BC is characterized by the appearance of the Corded Ware culture, pottery with corded decoration and well-polished stone axes (s.c. boat-shape axes). Evidence of agriculture is provided by charred grains of wheat on the wall of a corded-ware vessel found in Iru settlement. Osteological analysis show an attempt was made to domesticate the wild boar. Specific burial customs were characterized by the dead being laid on their sides with their knees pressed against their breast, one hand under the head. Objects placed into the graves were made of the bones of domesticated animals.

Reference: Wikipedia

Featured Historic Landmarks, Sites & Buildings

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Kromeriz Castle and Gardens

Kroměříž stands on the site of an earlier ford across the River Morava. The gardens and castle of Kroměříž are an exceptionally complete and well-preserved example of a European Baroque princely residence and its gardens and described as a UNESCO World Heritage Site.

The first residence on the site was founded by bishop Stanislas Thurzo in 1497. The building was in a Late Gothic style, with a modicum of Renaissance detail. During the Thirty Years' War, the castle was sacked by the Swedish army (1643).

It was not until 1664 that a bishop from the powerful Liechtenstein family charged architect Filiberto Lucchese with renovating the palace in a Baroque style. The chief monument of Lucchese's work in Kroměříž is the Pleasure Garden in front of the castle. Upon Lucchese's death in 1666, Giovanni Pietro Tencalla completed his work on the formal garden and had the palace rebuilt in a style reminiscent of the Turinese school to which he belonged.

After the castle was gutted by a major fire in March 1752, Bishop Hamilton commissioned two leading imperial artists, Franz Anton Maulbertsch and Josef Stern, arrived at the residence in order to decorate the halls of the palace with their works. In addition to their paintings, the palace still houses an art collection, generally considered the second finest in the country, which includes Titian's last mythological painting, The Flaying of Marsyas. The largest part of the collection was acquired by Bishop Karel in Cologne in 1673. The palace also contains an outstanding musical archive and a library of 33,000 volumes.

UNESCO lists the palace and garden among the World Heritage Sites. As the nomination dossier explains, 'the castle is a good but not outstanding example of a type of aristocratic or princely residence that has survived widely in Europe. The Pleasure Garden, by contrast, is a very rare and largely intact example of a Baroque garden'. Apart from the formal parterres there is also a less formal nineteenth-century English garden, which sustained damage during floods in 1997.

Interiors of the palace were extensively used by Miloš Forman as a stand-in for Vienna's Hofburg Imperial Palace during filming of Amadeus (1984), based on the life of Wolfgang Amadeus Mozart, who actually never visited Kroměříž. The main audience chamber was also used in the film Immortal Beloved (1994), in the piano concerto scene.