History of Estonia between 5000 BC - 1801 BC
The beginning of the Neolithic Period is marked by the ceramics of the Narva culture, and appear in Estonia at the beginning of the 5th millennium. The oldest finds date from around 4900 BC. The first pottery was made of thick clay mixed with pebbles, shells or plants. The Narva-type ceramics are found throughout almost the entire Estonian coastal region and on the islands. The stone and bone tools of the era have a notable similarity with the artifacts of the Kunda culture.
Around the beginning of 4th millennium Comb Ceramic culture arrived in Estonia. Until the early 1980s the arrival of Finnic peoples, the ancestors of the Estonians, Finns, and Livonians, on the shores of the Baltic sea was associated with the Comb Ceramic Culture. However, such a linking of archaeologically defined cultural entities with linguistic ones cannot be proven and it has been suggested that the increase of settlement finds in the period is more likely to have been associated with an economic boom related to the warming of climate. Some researchers have even argued that a Uralic form of language may have been spoken in Estonia and Finland since the end of the last glaciation.
The burial customs of the comb pottery people included additions of figures of animals, birds, snakes and men carved from bone and amber. Antiquities from comb pottery culture are found from Northern Finland to Eastern Prussia. The beginning of the Late Neolithic Period about 2200 BC is characterized by the appearance of the Corded Ware culture, pottery with corded decoration and well-polished stone axes (s.c. boat-shape axes). Evidence of agriculture is provided by charred grains of wheat on the wall of a corded-ware vessel found in Iru settlement. Osteological analysis show an attempt was made to domesticate the wild boar. Specific burial customs were characterized by the dead being laid on their sides with their knees pressed against their breast, one hand under the head. Objects placed into the graves were made of the bones of domesticated animals.
The Palazzo Colonna is a palatial block of buildings built in part over ruins of an old Roman Serapeum, and has belonged to the prestigious Colonna family for over twenty generations.
The first part of the palace dates from the 13th century, and tradition holds that the building hosted Dante in his visit to Rome. The first documentary mention notes that the property hosted Cardinal Giovanni and Giacomo Colonna in the 13th century. It was also home to Cardinal Oddone Colonna before he ascended to the papacy as Martin V (1417–1431).
With his passing, the palace was sacked during feuds, and the main property passed into the hands of the Della Rovere family. It returned to the Colonna family when Marcantonio I Colonna married Lucrezia Gara Franciotti Della Rovere, the niece of pope Julius II. The Colonna"s alliance to the Habsburg power, likely protected the palace from looting during the Sack of Rome (1527).
Starting with Filippo Colonna (1578–1639) many changes have refurbished and create a unitary complex around a central garden. Architects including Girolamo Rainaldi and Paolo Marucelli labored on specific projects. Only in the 17th and 18th centuries were the main facades completed. Much of this design was completed by Antonio del Grande (including the grand gallery), and Girolamo Fontana (decoration of gallery). In the 18th century, the long low facade designed by Nicola Michetti with later additions by Paolo Posi with taller corner blocks (facing Piazza Apostoli) was constructed recalls earlier structures resembling a fortification.
The main gallery (completed 1703) and the masterful Colonna art collection was acquired after 1650 by both the cardinal Girolamo I Colonna and his nephew the Connestabile Lorenzo Onofrio Colonna and includes works by Lorenzo Monaco, Domenico Ghirlandaio, Palma the Elder, Salviati, Bronzino, Tintoretto, Pietro da Cortona, Annibale Carracci (painting of The Beaneater), Guercino, Francesco Albani, Muziano and Guido Reni. Ceiling frescoes by Filippo Gherardi, Giovanni Coli, Sebastiano Ricci, and Giuseppe Bartolomeo Chiari celebrate the role of Marcantonio II Colonna in the battle of Lepanto (1571). The gallery is open to the public on Saturday mornings.
The older wing of the complex known as the Princess Isabelle"s apartments, but once housing Martin V"s library and palace, contains frescoes by Pinturicchio, Antonio Tempesta, Crescenzio Onofri, Giacinto Gimignani, and Carlo Cesi. It contains a collection of landscapes and genre scenes by painters like Gaspard Dughet, Caspar Van Wittel (Vanvitelli), and Jan Brueghel the Elder.
Along with the possessions of the Doria-Pamphilij and Pallavacini-Rospigliosi families, this is one of the largest private art collections in Rome.