History of Sweden between 12000 BC - 4001 BC
The Pleistocene glaciations scoured the landscape clean and covered much of it in deep quaternary sediments. Therefore no undisputed Early or Middle Palaeolithic sites or finds are known from Sweden. As far as it is currently known, the country's prehistory begins in the Allerød interstadial c. 12,000 BC with Late Palaeolithic hunting camps of the Bromme culture at the edge of the ice in what is now the country's southernmost province. Shortly before the close of the Younger Dryas (c. 9,600 BC), the west coast of Sweden (Bohuslän) was visited by hunter-gatherers from northern Germany. This cultural group is commonly referred to as the Ahrensburgian and were engaged in fishing and sealing along the coast of western Sweden during seasonal rounds from the Continent. Currently, we refer to this group as the Hensbacka culture and, in Norway, as the Fosna culture group. During the late Preboreal period, colonization continued as people move towards the north-east as the ice receded. Archaeological, linguistic and genetic evidence suggests that they arrived first from the south-west and, in time, also from the north-east and met half-way.
An important consequence of de-glaciation was a continual land uplift as the Earth's crust rebounded from the pressure exerted by the ice. This process, which was originally very rapid, continues to this day. It has had the consequence that originally shore-bound sites along much of Sweden's coast are sorted chronologically by elevation. Around the country's capital, for instance, the earliest seal-hunter sites are now on inland mountain tops, and they grow progressively later as one moves downhill toward the sea.
The Late Palaeolithic gave way to the first phase of the Mesolithic in c. 9600 BC. This age, divided into the Maglemosian, Kongemosian and Ertebølle Periods, was characterised by small bands of hunter-gatherer-fishers with a microlithic flint technology. Where flint was not readily available, quartz and slate were used. In the later Ertebølle, semi-permanent fishing settlements with pottery and large inhumation cemeteries appeared.
Royal Palace of Naples was one of the four residences near Naples used by the Bourbon Kings during their rule of the Kingdom of the Two Sicilies (1734-1860): the others were the palaces of Caserta, Capodimonte overlooking Naples, and the third Portici, on the slopes of Vesuvius.
Construction on the present building was begun in the 17th century by the architect Domenico Fontana. Intended to house the King Philip III of Spain on a visit never fulfilled to this part of his kingdom, instead it initially housed the Viceroy Fernando Ruiz de Castro, count of Lemos. By 1616, the facade had been completed, and by 1620, the interior was frescoed by Battistello Caracciolo, Giovanni Balducci, and Belisario Corenzio. The decoration of the Royal Chapel of Assumption was not completed until 1644 by Antonio Picchiatti.
In 1734, with the arrival of Charles III of Spain to Naples, the palace became the royal residence of the Bourbons. On the occasion of his marriage to Maria Amalia of Saxony in 1738, Francesco De Mura and Domenico Antonio Vaccaro helped remodel the interior. Further modernization took place under Ferdinand I of the Two Sicilies. In 1768, on the occasion of his marriage to Maria Carolina of Austria, under the direction of Ferdinando Fuga, the great hall was rebuilt and the court theater added. During the second half of the 18th century, a 'new wing' was added, which in 1927 became the Vittorio Emanuele III National Library. By the 18th century, the royal residence was moved to Reggia of Caserta, as that inland town was more defensible from naval assault, as well as more distant from the often-rebellious populace of Naples.
During the Napoleonic occupation the palace was enriched by Joachim Murat and his wife, Caroline Bonaparte, with Neoclassic decorations and furnishings. However, a fire in 1837 damaged many rooms, and required restoration from 1838 to 1858 under the direction of Gaetano Genovese. Further additions of a Party Wing and a Belvedere were made in this period. At the corner of the palace with San Carlo Theatre, a new facade was created that obscured the viceroyal palace of Pedro de Toledo.
In 1922, it was decided to transfer here the contents of the National Library. The transfer of library collections was made by 1925.
The library suffered from bombing during World War II and the subsequent military occupation of the building caused serious damage. Today, the palace and adjacent grounds house the famous Teatro San Carlo, the smaller Teatrino di Corte (recently restored), the Biblioteca Nazionale Vittorio Emanuele III, a museum, and offices, including those of the regional tourist board.