History of Sweden between 12000 BC - 4001 BC
The Pleistocene glaciations scoured the landscape clean and covered much of it in deep quaternary sediments. Therefore no undisputed Early or Middle Palaeolithic sites or finds are known from Sweden. As far as it is currently known, the country's prehistory begins in the Allerød interstadial c. 12,000 BC with Late Palaeolithic hunting camps of the Bromme culture at the edge of the ice in what is now the country's southernmost province. Shortly before the close of the Younger Dryas (c. 9,600 BC), the west coast of Sweden (Bohuslän) was visited by hunter-gatherers from northern Germany. This cultural group is commonly referred to as the Ahrensburgian and were engaged in fishing and sealing along the coast of western Sweden during seasonal rounds from the Continent. Currently, we refer to this group as the Hensbacka culture and, in Norway, as the Fosna culture group. During the late Preboreal period, colonization continued as people move towards the north-east as the ice receded. Archaeological, linguistic and genetic evidence suggests that they arrived first from the south-west and, in time, also from the north-east and met half-way.
An important consequence of de-glaciation was a continual land uplift as the Earth's crust rebounded from the pressure exerted by the ice. This process, which was originally very rapid, continues to this day. It has had the consequence that originally shore-bound sites along much of Sweden's coast are sorted chronologically by elevation. Around the country's capital, for instance, the earliest seal-hunter sites are now on inland mountain tops, and they grow progressively later as one moves downhill toward the sea.
The Late Palaeolithic gave way to the first phase of the Mesolithic in c. 9600 BC. This age, divided into the Maglemosian, Kongemosian and Ertebølle Periods, was characterised by small bands of hunter-gatherer-fishers with a microlithic flint technology. Where flint was not readily available, quartz and slate were used. In the later Ertebølle, semi-permanent fishing settlements with pottery and large inhumation cemeteries appeared.
The famous Italian Medici family have given two queens to France: Catherine, the spouse of Henry II, and Marie, widow of Henry IV, who built the current Luxembourg palace. Maria di Medici had never been happy at the Louvre, still semi-medieval, where the fickle king, did not hesitate to receive his mistresses. The death of Henry IV, assassinated in 1610, left the way open for Marie's project. When she became regent, she was able to give special attention to the construction of an imposing modern residence that would be reminiscent of the Palazzo Pitti and the Boboli Gardens in Florence, where she grew up. The development of the 25-hectare park, which was to serve as a jewel-case for the palace, began immediately.
The architect, Salomon de Brosse, began the work in 1615. Only 16 years later was the palace was completed. Palace of Luxembourg affords a transition between the Renaissance and the Classical period.
In 1750, the Director of the King's Buildings installed in the wing the first public art-gallery in France, in which French and foreign canvases of the royal collections are shown. The Count of Provence and future Louis XVIII, who was living in Petit Luxembourg, had this gallery closed in 1780: leaving to emigrate, he fled from the palace in June 1791.
During the French Revolution the palace was first abandoned and then moved as a national prison. After that it was the seat of the French Directory, and in 1799, the home of the Sénat conservateur and the first residence of Napoleon Bonaparte, as First Consul of the French Republic. The old apartments of Maria di Medici were altered. The floor, which the 80 senators only occupied in 1804, was built in the middle of the present Conference Hall.
Beginning in 1835 the architect Alphonse de Gisors added a new garden wing parallel to the old corps de logis, replicating the look of the original 17th-century facade so precisely that it is difficult to distinguish at first glance the old from the new. The new senate chamber was located in what would have been the courtyard area in-between.
The new wing included a library (bibliothèque) with a cycle of paintings (1845–1847) by Eugène Delacroix. In the 1850s, at the request of Emperor Napoleon III, Gisors created the highly decorated Salle des Conférences, which influenced the nature of subsequent official interiors of the Second Empire, including those of the Palais Garnier.
During the German occupation of Paris (1940–1944), Hermann Göring took over the palace as the headquarters of the Luftwaffe in France, taking for himself a sumptuous suite of rooms to accommodate his visits to the French capital. Since 1958 the Luxembourg palace has been the seat of the French Senate of the Fifth Republic.