Roman Iron Age

History of Latvia between 0 AD - 399 AD

An important development in the so-called Roman Iron Age (1–400 AD) was the spread of knowledge about how to smelt and work iron. The peasant culture of the Baltic made remarkable progress. This can be partly explained by the very lively trade relations between the Baltic and centers of the Roman Empire, particularly with the Danube Basin. The Balts exported amber, which at that time was valued higher than gold, and expensive furs. In return they received Roman manufactured goods and coins. At this period the Eastern Balts began to split up into Lithuanians and Latvians, and the Finno-Ugrians into Finns and Estonians. The former began to cross the Finnish Gulf and settle down in present-day Finland.

The Roman Iron Age is remarkable because even at that time the Eastern border of the three Baltic peoples was almost identical with the later ethnic and political frontiers. Beyond this border at that time were very sparsely populated territories of Eastern Europe; this proves that these frontiers have not been established in a struggle with some other nation, but developed naturally, as the natural cultural boundaries of the Baltic nations and as the maximum reach of these civilizations.

Reference: Latvians.com

Featured Historic Landmarks, Sites & Buildings

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Lübeck Cathedral

Lübeck Cathedral is a large brick-built Lutheran cathedral in Lübeck, Germany and part of the Lübeck UNESCO World Heritage Site. In 1173 Henry the Lion founded the cathedral to serve the Diocese of Lübeck, after the transfer in 1160 of the bishop's seat from Oldenburg in Holstein under bishop Gerold. The then Romanesque cathedral was completed around 1230, but between 1266 and 1335 it was converted into a Gothic-style building with side-aisles raised to the same height as the main aisle.

On the night of Palm Sunday (28–29 March) 1942 a Royal Air Force bombing raid destroyed a fifth of the town centre. Several bombs fell in the area around the church, causing the eastern vault of the quire to collapse and destroying the altar which dated from 1696. A fire from the neighbouring cathedral museum spread to the truss of the cathedral, and around noon on Palm Sunday the towers collapsed. An Arp Schnitger organ was lost in the flames. Nevertheless, a relatively large portion of the internal fittings was saved, including the cross and almost all of the medieval polyptychs. In 1946 a further collapse, of the gable of the north transept, destroyed the vestibule almost completely.

Reconstruction of the cathedral took several decades, as greater priority was given to the rebuilding of the Marienkirche. Work was completed only in 1982.

The cathedral is unique in that at 105 m, it is shorter than the tallest church in the city. This is the consequence of a power struggle between the church and the guilds.

The 17 m crucifix is the work of the Lübeck artist Bernt Notke. It was commissioned by the bishop of Lübeck, Albert II. Krummendiek, and erected in 1477. The carvings which decorate the rood screen are also by Notke.

Since the war, the famous altar of Hans Memling has been in the medieval collection of the St. Annen Museum, but notable polyptychs remain in the cathedral.

In the funeral chapels of the southern aisle are Baroque-era memorials by the Flemish sculptor Thomas Quellinus.