Castelpagano Castle has a quadrangular form of 150 metres of perimeter with a pentagonal tower and two circular towers. In the middle of the structure a well tank was used to collect rainwater.
The castle had been there since the beginning of the 11th century. Indeed, from the description of the borders of the abbey of San Giovanni de Lama drawn up to confirm the property by the Catapan Basil Bojannes, it is evident that Castelpagano bordered on the abbey. Later, Castelpagano can be found in 1095 with Guimondo as castellan on behalf of Henry, Count of the Gargano. In 1098 the Norman Richard succeeded Guimondo and assumed the role of castellan until 1106 when the Duke Roger Borsa defeated William I, the new Count of the Gargano and Lucera, who in 1101 succeeded Henry. Richard, William’s vassal, was substituted by Faruald, who got from the Duke the administration of Castelpagano, Monte Sant’Angelo, and Vieste.
In 1137, during the fight to control of the Duchy of Puglia between Roger II of Hauteville and Ranulf of Alife, the German Emperor Lothair II of Supplinburg (1060 – 1137), who came to Italy to support Ranulf, besieged Castelpagano, defended by the castellan Richard. At first, Castelpagano withstood the siege but, under the threat of razing the city and slaying its inhabitants, Richard surrendered to the attackers. Later, when Roger II reconquered the Duchy, Richard was arrested and blinded because of his surrender.
In the second half of the 12th century, Castelpagano became feud of two knights, administrated by Hugo filius Raynaldi filii Guillelmi, together with the hamlet of San Eleuterio, a village beneath Castelpagano and feud of three knights.According to iconographic sources, at the end of 15th century Castelpagano was in a state of abandonment.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.