Molfetta Cathedral is dedicated to the Assumption of the Virgin Mary and Saint Ignatius Loyola. Originally a Jesuit church, it became the seat of the bishops of Molfetta in the late 18th century. Since 1986 it has been the episcopal seat of the Diocese of Molfetta-Ruvo-Giovinazzo-Terlizzi.
The present cathedral was built by the Jesuits during the 17th century and dedicated to their founder, Saint Ignatius Loyola. Begun in 1610, it was not completed until 1744 with the construction of the façade, which bears the image of Loyola. At the suppression of the Society of Jesus in 1767 the church was abandoned until 1785, when it was restored and extended and made into the new cathedral of the diocese of Molfetta, when the relics of the patron saint of the city, Saint Conrad of Bavaria (San Corrado), were translated to it from the previous cathedral ('duomo vecchio' or the 'old cathedral'), which is now the church of San Corrado.
Among the works of art in the cathedral are the Dormitio Mariae ('Dormition of Mary') attributed to Scacco (16th century), the monument of the Molfettese naturalist and historian Giuseppe Maria Giovene, to the left of the altar dedicated to Saint Conrad, and on it, the magnificent canvas by Corrado Giaquinto of the Assumption of the Virgin Mary. In 1887 the ceiling vault was decorated in tempera by the Molfettese painter Michele Romano.
References:The ancient Argos Theater was built in 320 BC. and is located in Argos, Greece against Larissa Hill. Nearby from this site is Agora, Roman Odeon, and the Baths of Argos. The theater is one of the largest architectural developments in Greece and was renovated in ca 120 AD.
The Hellenistic theater at Argos is cut into the hillside of the Larisa, with 90 steps up a steep incline, forming a narrow rectilinear cavea. Among the largest theaters in Greece, it held about 20,000 spectators and is divided by two landings into three horizontal sections. Staircases further divide the cavea into four cunei, corresponding to the tribes of Argos A high wall was erected to prevent unauthorized access into the theatron and may have helped the acoustics, but it is said the sound quality is still very good today.
Around 120 CE, both theaters were renovated in the Roman style.