Molfetta Cathedral is dedicated to the Assumption of the Virgin Mary and Saint Ignatius Loyola. Originally a Jesuit church, it became the seat of the bishops of Molfetta in the late 18th century. Since 1986 it has been the episcopal seat of the Diocese of Molfetta-Ruvo-Giovinazzo-Terlizzi.
The present cathedral was built by the Jesuits during the 17th century and dedicated to their founder, Saint Ignatius Loyola. Begun in 1610, it was not completed until 1744 with the construction of the façade, which bears the image of Loyola. At the suppression of the Society of Jesus in 1767 the church was abandoned until 1785, when it was restored and extended and made into the new cathedral of the diocese of Molfetta, when the relics of the patron saint of the city, Saint Conrad of Bavaria (San Corrado), were translated to it from the previous cathedral ('duomo vecchio' or the 'old cathedral'), which is now the church of San Corrado.
Among the works of art in the cathedral are the Dormitio Mariae ('Dormition of Mary') attributed to Scacco (16th century), the monument of the Molfettese naturalist and historian Giuseppe Maria Giovene, to the left of the altar dedicated to Saint Conrad, and on it, the magnificent canvas by Corrado Giaquinto of the Assumption of the Virgin Mary. In 1887 the ceiling vault was decorated in tempera by the Molfettese painter Michele Romano.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.