Csenger grew to become one of the most significant towns in the historical Szatmár County during the Middle Ages. It is probable that the construction work of the church began after 1322, and was completed in the second quarter of the century. Csenger’s medieval church is the only architectural heritage of the Great Plain’s medieval monumental architecture.
A crescent-shaped triumphal arch divides the rectangular nave from the sanctuary which is formed by five sides of an octagon. The sanctuary has a wagon roof, and a fabulous painted cassette-style wooden ceiling covers the nave. A monumental hexagon-shaped six-storey tower is attached to the church, which has been preserved in its original state.
The painted cassette-style wooden ceiling of the nave, which was created in 1745, is as well-known in Europe as it is in Hungary. The floral motifs on it refer to the earliest periods of Hungarian history. The wooden ceiling consists of 9x14 complete cassettes and a half row of cassettes. The oldest relic of this kind in the Upper Tisza region from 1745. The painted motifs of its square-shaped cassettes preserve Renaissance traditions.
The current pulpit has been installed almost exactly in its medieval position. Its bricked breast-wall is decorated with geometric mortar panels. The “crown” of the pulpit is far more simple and lower in position, compared to the baroque relics of the churches in the surroundings. (It is a sound reflector rather than a crown.) It was created in 1840, in Classicist style. On its ceiling, above the head of the pastor, the dove of the Holy Spirit levitates. The gallery and the pews were created in the 18th century. It is worth walking up and adoring the 200-year-old oak pews.
References:The ancient Argos Theater was built in 320 BC. and is located in Argos, Greece against Larissa Hill. Nearby from this site is Agora, Roman Odeon, and the Baths of Argos. The theater is one of the largest architectural developments in Greece and was renovated in ca 120 AD.
The Hellenistic theater at Argos is cut into the hillside of the Larisa, with 90 steps up a steep incline, forming a narrow rectilinear cavea. Among the largest theaters in Greece, it held about 20,000 spectators and is divided by two landings into three horizontal sections. Staircases further divide the cavea into four cunei, corresponding to the tribes of Argos A high wall was erected to prevent unauthorized access into the theatron and may have helped the acoustics, but it is said the sound quality is still very good today.
Around 120 CE, both theaters were renovated in the Roman style.