The Guildhall is the house where the elected members of Derry City and Strabane District Council meet. It is a Grade A listed building.
The current building was preceded by an earlier town hall called the Market House which was built in the 17th century and destroyed in the Siege of Derry in 1689. The current building, which was designed by John Guy Ferguson and financed by The Honourable The Irish Society, was completed in 1890. The design for the clock tower was modelled on the Elizabeth Tower in London.
After a disastrous fire in 1908, in which only the tower and rear block survived, and more funding from The Honourable The Irish Society, the Guildhall was rebuilt to the design of Mathew Alexander Robinson in 1912. The current organ, which was designed by Sir Walter Parratt and has 3,132 pipes, was installed in 1914.
During The Troubles, the Guildhall was the focus of multiple terror attacks. The building was badly damaged by two bombs in 1972, but was restored at a cost of £1.7 million and reopened in 1977. On 23 September 1980 the Field Day Theatre Company presented its first production, the premiere of Brian Friel's Translations, in the Guildhall.
The guildhall, which had been the meeting place of the county borough of Londonderry for much of the 20th century, continued to be the local seat of government after the formation of Londonderry City Council in 1972; the council was renamed Derry City Council in 1984.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.