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The Skelmorlie Aisle of Largs Old Kirk is the remains of a church in the town of Largs. It contains a notable monument built by a local landowner, Sir Robert Montgomerie of Skelmorlie Castle, seventh Laird of Skelmorlie, as a burial site for himself and his wife, Dame Margaret Douglas. The aisle was added to the old kirk (church) of Largs in 1636, and comprises a Renaissance canopied tomb above the burial-vault entrance. The barrel vaulted ceiling of the aisle was painted 1638 in panels, with heraldic emblems and signs of the Zodiac, etc. by a Mr. Stalker. A third coffin within the tomb is said to be that of Sir Hugh Montgomerie of Eaglesham, a hero of the Battle of Otterburn. It can be compared with other significant tombs, such as that of the Cunninghames, Earls of Glencairn at Kilmaurs in East Ayrshire.
The majority of the kirk (church) was demolished in 1802 when the new parish church came into use, but the aisle, a division of the once larger building containing the mausoleum, was retained.
The painted timber ceiling is signed and dated 1638 by J. Stalker and is in vernacular contrast, albeit the designs are derived from the work of a goldsmith at the French royal court, Etienne Delaune. Lively scenes illustrate the seasons as well as the Montgomerie and Douglas conjoined coat of arms, oddly with the quarters of the Montgomerie arms incorrectly placed as in the Polnoon example. The arms in the panel above the entrance door also have this 'mirror image' arrangement.
Today Skelmorlie Aisle is in the care of Historic Environment Scotland. Admission is free, although visitors need to obtain the key from the adjoining Largs Museum. Both the kirkyard and museum are open from late May to early September from 2.00pm to 5.00pm.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.