Kyiv-Pechersk Lavra is a historic Eastern Orthodox Christian monastery which gave its name to one of the city districts where it is located in Kyiv.
Since its foundation as the cave monastery in 1051, the Lavra has been a preeminent center of Eastern Orthodox Christianity in Eastern Europe. Together with the Saint Sophia Cathedral, it is inscribed as a UNESCO World Heritage Site. The Lavra is not only located in another part of the city, but is part of a different national sanctuary than Saint Sophia Cathedral.
The Kyiv Pechersk Lavra contains numerous architectural monuments, ranging from bell towers to cathedrals to cave systems and to strong stone fortification walls. The main attractions of the Lavra include the Great Lavra Belltower, and the Dormition Cathedral, destroyed in World War II, and fully reconstructed in recent years.
Other churches and cathedrals of the Lavra include: the Refectory Church, the Church of All Saints, the Church of the Saviour at Berestove, the Church of the Exaltation of Cross, the Church of the Trinity, the Church of the Nativity of the Virgin, the Church of the Conception of St. Anne, and the Church of the Life-Giving Spring. The Lavra also contains many other constructions, including the St. Nicholas Monastery, the Kyiv Theological Academy and Seminary, and the Debosquette Wall.
The Kyiv Pechersk Lavra caverns are a system of narrow underground corridors (about 1-1½ metres wide and 2-2½ metres high), along with numerous living quarters and underground chapels. In 1051, the monk Anthony settled in an old cave in a hill near the Kyiv Pechersk Lavra. This cave received additions including corridors and a church, and is now the Far Caves. In 1057, Anthony moved to a cave near the Upper Lavra, now called the Near Caves.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.