National Museum Taras Shevchenko in Kyiv is dedicated to the life and work of the painter and national poet, Taras Shevchenko.
The museum and its collection originated as part of an initiative by friends of Shevchenko to preserve his legacy shortly after his death. By 1897 the collection had grown and it was collectively transferred to the Museum of Ukrainian Antiquities, which was later merged into Chernihiv Historical Museum (uk). In 1926 the Shevchenko Institute in Kharkiv was founded, which became the home of the collection, and an initial Taras Shevchenko Museum operated as a section of the manuscripts department of the Institute.
In 1939, the Council of People's Commissars of the USSR decided to fund a major retrospective exhibition, and by 1940 the decision was made to found a central museum commemorating the artist. This exhibition was hosted at the Mariinskyi Palace and opened in 1941, but closed during the Second World War, with some works evacuated to Novosibirsk during the German occupation.
The museum opened in a specially converted building on 24 April 1949.
The collection comprises over 72,000 objects, including works of art and archival material. Works from the collection have been loaned to museums in Latvia, Russia and the Czech Republic.
The museum exhibits works by famous painters, sculptors, writers and composers from Shevchenko's period, who are connected to his life and work. These include: Karl Bryullov, Mykhailo Derehus, Ivan Jishakevych, Vasyl Kasiyan, Fotij Krasyzkyj, Ivan Kramskoi, Mikhail Mikeshin, Ilya Repin, Mykola Samokysch, Ivan Soschenko, Vasily Sternberg, Karpo Trochymenko, Vasily Tropinin and Konstantin Trutovsky. Sculptors in the collection also include: Peter Kapschutschenko, Peter Clodt von Jürgensburg, Vladimir Beklemishev and others.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.