The Knights from the Order of Santiago built the Hornos Castle between the late 13th century and early 14th century. They built iton top of an old Arab defensive structure in a strategic location, on one of the roads between the mountain chains of Cazorla and Segura.
Hornos Castle is made up of a defensive site with an outdoor enclosure in the shape of a trapezoid. We can find a large keep, a well right in the parade ground and remains of three turrets.
The keep is 9 metres tall and it has a square base. It was built using masonry with rounded corners, and this feature makes it less vulnerable to the effects of weapons.
The enclosure was also built in masonry. The Almohads builtthree slim towers with small bases,the towers are reinforced with a lining of masonry. Inside the enclosure we find a well of Arab origin.
These days in the Castle we find the Cosmolarium, an astronomical centre and planetarium where films are shown.
The Muslims founded Hornos fortress in the 9th century, and many of its remains such as the well in the parade ground and the three towers date from the Almohad period.
Don Pedro Pérez Pelayo Correa, grand master of the Order of Santiago, conquered Hornos in 1239. Thus, the town was attached to the Encomienda de Segura de la Sierra (a vast territory that belonged to the Order of Santiago).
During the 15th century, the towns of Hornos and Segura de la Sierra played adecisiverole in the political ambitions of the Manrique family who confrontedKing John II and King Henry IV.
Hornos remained part of the territory ruled by the Order of Santiago during the Modern Era, although between 1507 and 1748 the town belonged to the Kingdom of Murcia.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.