Plas Newydd is a country house set in gardens, parkland and surrounding woodland on the north bank of the Menai Strait, near Llanfairpwllgwyngyll, Anglesey, Wales. The current building has its origins in 1470, and evolved over the centuries to become one of Anglesey's principal residences. Owned successively by Griffiths, Baylys and Pagets, it became the country seat of the Marquesses of Anglesey, and the core of a large agricultural estate. The house and grounds, with views over the strait and Snowdonia, are open to the public, having been owned by the National Trust since 1976.
Plas Newydd was remodelled by John Cooper of Beaumaris in 1783-6 and between the 1790s and 1820s by James Wyatt and his assistant, Joseph Potter of Lichfield. Their client was Henry, Earl of Uxbridge; his son Henry, who lost a leg at Waterloo, was created 1st Marquess of Anglesey. Architecturally, Plas Newydd belongs to the early 19th century and the ‘cult of styles’, cheerfully mixing Neo-classical and picturesque Gothick. Still, it is very much rooted in the 1930s, when the 6th Marquess of Anglesey refurbished the house and employed Rex Whistler to create an immense Italianate dining room mural. Aside from the mural, the interior is mainly Neo-classical with very good examples of late 18th-century Gothick work in the hall and music room. Outside, the sinuous shape of the landscape, framed by drifts of trees and shrubs, was set out by the leading designer of the period, Humphry Repton.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.