Velia was the Roman name of an ancient city of Magna Graecia on the coast of the Tyrrhenian Sea. It was founded by Greeks from Phocaea as Hyele around 538–535 BC. The name later changed to Ele and then Elea before it became known by its current Latin and Italian name during the Roman era. Its ruins are located in the Cilento region near the modern village Velia, which was named after the ancient city.
The city was known for being the home of the philosophers Parmenides and Zeno of Elea, as well as the Eleatic school of which they were a part. The site of the acropolis of ancient Elea was once a promontory called Castello a Mare, meaning 'castle on the sea' in Italian. It now lies inland and was renamed to Castellammare della Bruca in the Middle Ages.
Remains of the city walls, with traces of one gate and several towers, of a total length of over three miles, still exist, and belong to three different periods, in all of which the crystalline limestone of the locality is used. Bricks were also employed in later times; their form is peculiar to this place, each having two rectangular channels on one side, and being about 1.5 inches square, with a thickness of nearly 4 inches They all bear Greek brick-stamps. There are some remains of cisterns on the site, and, various other traces of buildings.
In February 2022, archaeologists from the Velia excavation reported the discovery of two well-preserved bronze Greek helmets with Etruscan design, the remains of a painted brick wall and vases at the site of Velia. According to Italian Culture Minister Dario Franceschini, the excavation included metal fragments from weapons, vases with the Greek inscription for 'sacred'.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.