The Alcazaba of Mérida is a ninth-century Muslim fortification in Mérida, Spain. Like other historical edifices in the city, it is part of the UNESCO Heritage List.
Located near the Roman bridge over the Guadiana river, the Puente Romano, it was built by emir Abd ar-Rahman II of Córdoba in 835 to command the city, which had rebelled in 805. It was the first Muslim alcazaba (a type of fortification in the Iberian peninsula), and includes a big squared line of walls, every side measuring 130 metres in length, 10 m of height and 2.7 m thickness, built re-using Roman walls and Roman-Visigothic edifices in granite. The walls include 25 towers with quadrangular base, which also served as counterforts. Inside is an aljibe, a rainwater tank including a cistern to collect and filter water from the river.
The Alcazaba is accessed from the Puente Romano through a small enclosure, traditionally known Alcarazejo. This was used to check the traffic of pedestrians and goods to the city. Annexed is the military area, whose gate is flanked by two towers; over the horseshoe-shaped arc is an inscription celebrating Abd ar-Rahman's patronage of the work.
The fortress has yielded other excavated areas containing remnants predating its construction. These include a well-preserved segment of a Roman road, which also extends to the MorerÃas Archaeological Area, and an urban Roman dwelling that has undergone multiple renovations and faces the same street. Additionally, a portion of the Roman wall is visible, adjacent to a powerful buttress constructed using recycled granite fragments. Similar to the MorerÃas Archaeological Area, this buttress is believed to date back to the fifth century AD.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.