The Soto Fermoso Palace was originally built as a Templar fortress, later becoming, around the 12th or 13th century, the Cistercian abbey that gave its name to the village, and finally, the palace of the House of Alba. It belonged to the Ducal House of Alba from the mid-15th century until the early 20th century.
The building, with a square plan, is situated in a place of great beauty. The courtyard is Mudejar, with two floors, and consists of a double gallery of five arches on each side. The lower arches are pointed horseshoe and Mudejar from the 16th century, while the upper ones are escarzano style from the same century, featuring the heraldic shields of the House of Alba in the corners. The rooms are distributed around this courtyard.
The palace's garden was Renaissance and was created by order of Fernando Álvarez de Toledo, Duke of Alba. It blended architectural and sculptural constructions, paintings, stuccos with various plant species, and water features. Currently, it is very deteriorated, and only some parts of the garden, such as the statue of Andromeda, are preserved.
The palace was formerly a cultural and artistic center of great importance, serving as a literary academy for Italians and Flemish, with artists like Garcilaso de la Vega and Lope de Vega passing through.
The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.