Cotehele is a medieval house with Tudor additions, situated in the parish of Calstock in the east of Cornwall, England, and now belonging to the National Trust. It is a rambling granite and slate-stone manor house on the banks of the River Tamar that has been little changed over five centuries. It was built by the Edgecumbe family in 1458 after the original Manor House was pulled down. Sir Richard Edgecumbe came into the property after fighting for Henry Tudor in the Battle of Bosworth. He was gifted with money and the original Manor House and estate and then proceeded to build Cotehele.
On the west side of Hall Court are the Vicarage and the Chapel, the chapel is connected to the main building via a small passageway leading to the dining room. The patron saints are St. Katharine and St. Anne. The chapel is among the oldest rooms in the house, alongside the Great Hall. In the chapel, there is a very rare and the original clock, still in operation today, it dates back to the Tudor period.
Directly East of the House close to the River Tamar, lies a peaceful, basic chapel. inside there are pews going around the walls, two minister's benches and a very ornate table. the patron saints of the chapel are St George and St Thomas Becket. The Chapel was built by Sir Richard Edgcumbe (died 1489) between 1485 and 1489 as a thanksgiving for his escape from forces loyal to Richard III in 1483.
The Edgcumbe Chapel is located in the East of the Northern aisle at St. Andrew's Church Calstock, it contains two monuments of the late 17th- century: to Piers Edgcumbe (1666) and to Jemima, Countess of Sandwich (1674). it is no longer a chapel, but used by ministers to store religious items.
Today Cotehele estate and gardens are open to the public.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.