Built on the site of an Celtic oppidum, the castle of Pons was an important medieval stronghold due to its location as a hub of roads including those for the pilgrims of Saint James. It belonged to the lord of Aulnay, Charente-Maritime, to the dukes of Aquitaine, then to the lords of Pons. Razed in 1179 by the Duke of Aquitaine Richard Lionheart following a revolt of his vassal, the castle was rebuilt in 1187 by Geoffroy III de Pons with the addition of the imposing quadrangular Keep of Pons, partially over of the foundations of the original, smaller keep and partially over new foundations. Based on the chapel facade, it is believed that the chapel was also rebuilt during this period.
The castle was again destroyed in 1622 (with the exception of the keep and some defensive elements) by the armies of Louis XIII following the siege of 1621. A few years later, Marshal Caesar Phoebus d'Albret had the current main building erected. Despite its cold appearance, several rooms within the Keep have comfortable interior with wooden ceilings and mounted canvas decorated with allegorical figures. The base of the ramparts has been partially preserved, and forms a walk from which one can enjoy a panoramic view of the Seugne valley. Caesar Phoebus d'Albret, Sire de Pons, ordered the construction of the monumental staircase which connects the upper city to the lower city.
The buildings and vestiges of the medieval castle were bought in 1806 by the municipality. Only the Castral Chapel and the Saint-Gilles porch, the Keep and the ramparts on the cliffs are the remains of the medieval fortress. The municipality set up the esplanade in the public garden and repurposed the main building as the town hall.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.