The Gallo-Roman Theater is an ancient arena theater located in Thénac, Charente-Maritime. It is part of an ancient rural sanctuary with thermal baths and a spring. Likely constructed during Nero's reign and abandoned in the 3rd century, its remains were classified as historical monuments in 1990.
Measuring at least 84m wide, its unique architecture involves internal buttresses defining compartments, reinforcing its structure against earth pressure.
The theater is part of a rural sanctuary 5 km south of Saintes, existing since the Neolithic era. Believed to be built during Nero's time, it remained in use until at least the 3rd to 4th century. After abandonment, it served as a stone quarry. Excavations occurred in 1825-1828 by René Eschassériaux, published later by his grandson Eugene in 1880-1881. Additional excavations took place in the 1960s and 1990s, leading to its classification as a historical monument.
The arena theater, at least 84m in diameter, features an east-facing cavea with a semi-circular orchestra, built from local Campanian limestone. Semi-cylindrical buttresses reinforce the cavea's perimeter against earth pressure. Radiating vomitories divide the cavea into six sectors. Recent studies reveal a fully masoned stage wall with two passageways leading to the orchestra. The theater has been municipally owned since 2000, previously belonging to the state for 14 years.
The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.