The Church of Hagia Sophia is a Byzantine church in the medieval town of Monemvasia, Peloponnese. It forms part of the wider archaeological site of Monemvasia. It was built on the upper town of Monemvasia, and was originally dedicated to Panagia Hodegetria. It is the most important monument of Monemvasia. The Venetians, who held Monemvasia for some time, used it as a Catholic church dedicated to Madonna, while during the Ottoman period it was converted into a mosque before being restored to Christian worship upon Greece's independence.
It is generally accepted that Hagia Sophia dates back to 1150, during a period when Monemvasia saw impressive economical growth and the settlement spread throughout the rock and not only on its invisible side, and is associated with the successful repulsion of the Normans in the year 1147.
During the years of the first Venetian rule (1463-1540) it came into the hands of Catholic Romans, while during the first period of Ottoman Turkish rule (1540-1690) it was converted into a mosque. During the second Venetian rule (1690-1715) it became a church again, a Roman Catholic one this time, the katholicon of a monastery dedicated to Madonna del Carmine.
In 1715 the church was once again converted into a mosque, and remained so until 1821, when Greece gained its independence; the minaret was demolished and the Greeks dedicated the church to the holy wisdom of God, hence the new and current name.
The church belongs to the so-called Epirotic octagonal-room with dome type, and is considered to be one of its finest examples. Inside the church, the fragments of murals date back to the 12th century.
The frescoes in the chancel portray scenes from the life of Saint Nicholas and are associated with the theft of the saint's relics, which were stolen by Italian merchants from Lycian Myra in 1087, who then arrived in Monemvasia's harbor while transporting them to Bari. Other surviving murals of Hagia Sophia include that of the archangels on the narthex and one of the Ancient of Days. The church also contains surviving sculptured marble decorations, an important example of 12th century sculpture.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.