The Mateus Palace is located in the civil parish of Mateus, municipality of Vila Real, Portugal. The three primary buildings are the manor, the winery and the chapel.
The winery buildings date from the 16th century and were modified in the 1800s. Architect Nicolau Nasoni was involved in the project for the construction of the palace, which took place in the 18th century, possibly between 1739 and 1743, according to one expert. The work was authorized by António José Botelho Mourão, 3rd Morgado of Mateus. The current manor replaced the former family house which was built in the same location in the early 1600s. In 1910, it was classified as a National Monument. The palace is owned by the Mateus Foundation.
The palace is constructed following a rectangular plan open to the west, blocked by a building which demarcates a main courtyard and behind a private quadrangle.Between the doorway and the courtyard, an ornamental pond, surrounded by trees, serves as a mirror.The courtyard, opened like a U, is closed off by a balustrade.Between the wings, the courtyard is closed by a transversing decorated structure of an emblazoned pediment, encircled by two statue guards in baroque style.
Its interior decoration includes some intricately carved chestnut wood ceilings, furniture from several periods, 17th and 18th century paintings and a library with many books.
Parts of the garden had been planted in the 1700s, modified in 1870 and expanded in 1930. In the 1950s and 1960s, the garden area was extensively modified and the lake was added to act as a mirror reflecting the manor house. A dense planting of chestnut and oak trees was added in the 1970s. The sculpture of a woman 'sleeping' in the water was created by João Cutileiro and installed in 1981.
The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.