The Mateus Palace is located in the civil parish of Mateus, municipality of Vila Real, Portugal. The three primary buildings are the manor, the winery and the chapel.
The winery buildings date from the 16th century and were modified in the 1800s. Architect Nicolau Nasoni was involved in the project for the construction of the palace, which took place in the 18th century, possibly between 1739 and 1743, according to one expert. The work was authorized by António José Botelho Mourão, 3rd Morgado of Mateus. The current manor replaced the former family house which was built in the same location in the early 1600s. In 1910, it was classified as a National Monument. The palace is owned by the Mateus Foundation.
The palace is constructed following a rectangular plan open to the west, blocked by a building which demarcates a main courtyard and behind a private quadrangle.Between the doorway and the courtyard, an ornamental pond, surrounded by trees, serves as a mirror.The courtyard, opened like a U, is closed off by a balustrade.Between the wings, the courtyard is closed by a transversing decorated structure of an emblazoned pediment, encircled by two statue guards in baroque style.
Its interior decoration includes some intricately carved chestnut wood ceilings, furniture from several periods, 17th and 18th century paintings and a library with many books.
Parts of the garden had been planted in the 1700s, modified in 1870 and expanded in 1930. In the 1950s and 1960s, the garden area was extensively modified and the lake was added to act as a mirror reflecting the manor house. A dense planting of chestnut and oak trees was added in the 1970s. The sculpture of a woman 'sleeping' in the water was created by João Cutileiro and installed in 1981.
Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.