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Canosa 'castle' is actually the acropolis of ancient Castrum Canus. The three great towers are the ruins of the eponymous estate located atop the hill overlooking the valley Ofantina. Originally a place of worship and pre-Roman fort, built of tufa blocks was rebuilt as a bastion of the same materials by the Grimaldi. Last owners, from 1856, were the Prince of Canosa Capece Minutolo of Naples, and remained until 1948. The wear of the blocks that compose it and the color denotes the passage of these various civilizations that have developed the structure in different epochs. The castle has also reported damage after the devastating bombing of the Second World War. Along the steep hill of the Acropolis, there is the old part of the country, with its narrow streets and staircases. At the southern base lie the remains of a Roman amphitheater.
The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.