The Castle of Biar stands on a hillock overlooking the town of Biar. During the Muslim rule had already news but few of the fortress, which began to be relevant to the time of James I of Aragon, remain as border castle under the Treaty of Almizra. The building lost its role during the early modern period and, although rarely used, after was used as a cemetery.
The castle was built in stone with masonry and rammed earth, which was used for the tower of homage. The building consists of two parts. On the one hand, a semicircular enclosure with four towers at the corners thereof, and on the other, a space with four cubic structures and the tower of homage. These towers and other structures are the basic defenses of the castle, and its position high on a rocky hill, the proliferation of small openings in its walls and battlements auction.
The tower of homage is the highlight of the architectural complex. Dating from the 12th century, the tower, situated on one side, was built with mortar mixture of sand and lime and reaches a height of 19 metres. Its plan is square shaped and has three floors, acquiring such an enormous importance. On the lower floor is used the called barrel vault and the other levels, second and third, use the Almohad ribbed vault which, together with those of the neighboring Castle of Villena, are among the oldest in Spain and throughout the Maghreb, as well as the only used in a military building in the Iberian Peninsula.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.