Cairnholy (or Cairn Holy) is the site of two Neolithic chambered tombs of the Clyde type. It is located 4 kilometres east of the village of Carsluith in Dumfries and Galloway, Scotland.
Both tombs lie open to the sky as most of their original covering stones have been taken in the past to build field walls. Cairnholy I is the more elaborate of the two tombs. It measures 50 by 15 metres and has a monumental curving façade, that formed the backdrop to a forecourt in front of the tomb. Excavation showed that several fires had been lit in the forecourt.
The tomb itself has two chambers. The outer chamber, which was entered through the façade, contained a fragment of a jadeite ceremonial axe, together with sherds of Neolithic pottery and a leaf-shaped arrowhead. Late grave-goods comprised Peterborough-ware and Beaker-ware pottery sherds and a flint knife. The inner chamber was built as a closed box, and was inaccessible from the outer one. It was probably originally roofed by a great stone slab resting on the two taller end-slabs. The inner chamber contained a secondary cist, with food vessel sherds and a cup-and-ring carved stone.
Cairnholy II is located to the north of Cairnholy I. Local tradition maintains that it was the tomb of Galdus, a mythical Scottish king. It is from this tomb that the nearby farm takes its name. It measures 20 by 12 metres, and is less than 60 centimetres high. It has been robbed of stones but there are still two portal stones in front of the chambered tomb. There is a very shallow v-shaped forecourt at the front of the tomb. The tomb contained two chambers. The rear chamber had been previously robbed, and the other disturbed, but an arrowhead and a flint knife were found within the filling, along with secondary sherds of Beaker pottery.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.