Drumlanrig Castle is situated on the Queensberry Estate in Dumfries and Galloway, Scotland. The 'Pink Palace' of Drumlanrig, constructed between 1679 and 1689 from distinctive pink sandstone, is an example of late 17th-century Renaissance architecture. The first Duke of Queensberry, William Douglas, had the castle built on the site of an ancient Douglas stronghold overlooking the Nith Valley. The castle has 120 rooms, 17 turrets and four towers.
The castle features attractions for both tourists and local residents, situated in the former stable yard, and in an off-section of the rear gardens. These include the Stableyard Studios with a range of local businesses, a tearoom and an adventure playground.
Drumlanrig’s rich history is complemented by being home to some of the jewels of the Buccleuch Collection. Created over many generations and five centuries by the Montagu, Douglas and Scott forbears of the Dukes of Buccleuch and Queensberry, it is internationally recognised as one of the most important in the country.
Pride of place goes to Rembrandt’s An Old Woman Reading, but with family portraits by artists such as Thomas Gainsborough, Alan Ramsay and Sir Joshua Reynolds, landscapes by Paul Sandby and the Dutch masters, and cartoons by Rowlandson, it has the capacity to appeal to all tastes.
The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.