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The Fatih Mosque, built between 1463 and 1470 on the site of the Church of the Holy Apostles, was severely damaged in the 1766 earthquake and rebuilt in 1771 with a different design. It is named after Sultan Mehmed the Conqueror, who captured Constantinople in 1453.
The original mosque had a central dome supported by a single semi-dome, while the rebuilt version follows a Baroque style with a square plan, a central dome, and four semi-domes. Only the courtyard, entrance portal, and lower minarets remain from the original. The interior mimics designs by Sinan, with a 26-meter dome, large marble columns, and two minarets. The calligraphy and mimbar show Baroque influences, but the tiles lack the grandeur of İznik ceramics. The original mihrab survives.
As an imperial külliye, the mosque complex included eight symmetrical medreses, once accommodating a thousand students. A dervish inn, featuring salvaged columns from the Church of the Holy Apostles, stands southeast of the mosque, facing the türbe of Nakşidil Sultan, mother of Mahmud II.
The graveyard holds the tombs of Sultan Mehmed II and Gülbahar Hatun, reconstructed after the earthquake. The lavishly decorated tomb of Mehmed II was a ceremonial site for new sultans after receiving the Sword of Osman. The graveyard also houses notable figures, including Gazi Osman Pasha and historian Halil İnalcık.
Attached to the mosque is the Carullah Efendi Library, built in 1724 and currently under restoration. The külliye's original hospital, market, kitchens, and bathhouse have been lost, but the caravanserai was restored in the 1980s and now functions as a workplace.
The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.