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The Santuario di Vicoforte is a monumental church located in the commune of Vicoforte, Piedmont, northern Italy. It is known for having the largest elliptical cupola in the world.
It originated as a small medieval sanctuary, consisting of a modest shrine containing a fifteenth-century fresco depicting a Madonna and Child. Around 1590 a shooting party passed by and a huntsman accidentally struck the image of the Virgin. According to legend, she began to bleed. The penitent huntsman added his arquebus to the shrine and began to collect the large sum of money which would be needed to repair the damage and expiate his sin. Today the arquebus is preserved in a chapel of the sanctuary near the fresco which it had disfigured.
In time the place became a centre of pilgrimage. An early visitor was the duke Charles Emmanuel I of Savoy who, in 1596, commissioned the construction of a large sanctuary from the court architect Ascanio Vitozzi. However the death of both the duke (who had wanted to be buried here), and of the architect, put a stop to the building work.
Construction was resumed in the eighteenth century under Francesco Gallo who built the great elliptical cupola which has major and minor diameters of 36 and 25 metres respectively. It is said that Gallo was required to remove the scaffolding himself, as nobody thought that a structure of this type would be able to stand on its own.
The decoration in fresco of the 6,032 square metres of the cupola’s vault was completed in 1752 by Mattia Bortoloni and Felice Biella, and the sanctuary finally attained its current form in 1884, when the campanili were built along with the three façades.
The ancient Argos Theater was built in 320 BC. and is located in Argos, Greece against Larissa Hill. Nearby from this site is Agora, Roman Odeon, and the Baths of Argos. The theater is one of the largest architectural developments in Greece and was renovated in ca 120 AD.
The Hellenistic theater at Argos is cut into the hillside of the Larisa, with 90 steps up a steep incline, forming a narrow rectilinear cavea. Among the largest theaters in Greece, it held about 20,000 spectators and is divided by two landings into three horizontal sections. Staircases further divide the cavea into four cunei, corresponding to the tribes of Argos A high wall was erected to prevent unauthorized access into the theatron and may have helped the acoustics, but it is said the sound quality is still very good today.
Around 120 CE, both theaters were renovated in the Roman style.