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The Church of Our Lady of the Graces (Santa Maria delle Grazie) is a Gothic-style, Roman Catholic church in Varallo Sesia. The church was built, together with the adjacent Franciscan convent between 1486 and 1493.
The interior is subdivided into spaces for the general public and for the friars, separated by a partition wall (tramezzo), supported by three round arches. The central arch opens to a hall reserved for friars, while the two lateral arches lead to two chapels. The fresco cycle scheme of the wall is traditionally attributed to Bernardino of Siena, and painted in 1531 by Gaudenzio Ferrari.
Similar decorative structures, with a partition wall entirely decorated with frescoes of the life of Jesus, were typical of the religious and artistic culture of the Friars Minor in Piedmont and Lombardy between the 15th and 16th centuries.
Common for Franciscan churches, the bare façade does not hint at the rich fresco decoration inside. In the cosy atmosphere of the church, with the gothic arches sustaining the ceiling trusses, the wall of frescos by Gaudenzio Ferrari are one of the masterpieces of Renaissance painting in Piedmont and Lombardy. They depict the life and passion of Jesus Christ on a surface of 82 m2: twenty equal frames narrate the main facts told by the gospels from the Annunciation to the Resurrection, working as Biblia pauperum. The Crucifixion, as the most important narrative scene, occupies the center with four frames.
Despite the focus on Ferrari's wall, there are other important artworks in the church as well. The two chapels under the partition wall preserve other frescos by Ferrari, who painted here before the wall. These frescos are important to understand his artistic development. The Saint Margaret chapel was painted in 1507 with two evangelical scenes and the grotesque.
On the right is the Graces chapel with frescos, dating back to 1491, from the studio of the Milanese painter Giovanni Scotto, where Ferrari was an apprentice. The paintings represent the birth of Virgin Mary, the marriage of Virgin Mary and the adoration of the Magi. The chapel also preserve the wooden statue of the Virgin with baby Jesus standing on her knees, very dear to the local devotees.
In the aisle is a fresco on the left wall, near the pulpit, by Fermo Stella, Ferrari's apprentice, who worked with his maestro at the Sacro Monte. The painting represents a rare scene, Jesus bidding his Mother farewell, inspired by a homily by John Chrysostom.
References:The Château de Chantilly comprises two attached buildings: the Petit Château built around 1560 for Anne de Montmorency, and the Grand Château, which was destroyed during the French Revolution and rebuilt in the 1870s. Owned by the Institut de France, the château houses the Musée Condé. It is one of the finest art galleries in France and is open to the public.
The estate"s connection with the Montmorency family began in 1484. The first mansion (now replaced by the Grand Château) was built in 1528–1531 for the Constable Anne de Montmorency by Pierre Chambiges. The Petit Château was also built for him, around 1560, probably by Jean Bullant. In 1632, after the death of Henri II, it passed to the Grand Condé who inherited it through his mother, Charlotte Marguerite de Montmorency.
Several interesting pieces of history are associated with the château during the 17th century.