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Koporye contains some of the most impressive medieval ruins in Russia. The first wooden fortress on the coast of the Koporye Bay was built by the Teutonic Knights in 1240, only to be destroyed by Alexander Nevsky the next year. The second fortress was built in stone by Alexander's son Dmitry Alexandrovich in 1280. Enraged by the prince's independence, the Novgorodians razed the fortress two years later.
Meanwhile the Swedes took advantage of this and occupied the banks of the Narova river. The Novgorodians had to restore the stone fort in 1297. Koporye was the strongest stronghold in the region and survived numerous attacks during the Swedish-Novgorodian Wars.
After Novgorod's incorporation into Muscovy, the fortress was strengthened and rebuilt to withstand cannon fire. Most extant structures belong to that period. Russian forces surrendered Koporye during the Livonian War but regained it under the Treaty of Tyavzino.
During the Time of Troubles Koporye was attacked by 2,500 Swedes, ten times more than the defenders. The Russian garrison had to surrender, and Koporye remained Swedish until 1703, known as Koporje or Caporie/Capurien, constituting an important part of Swedish Ingria.
As the Gulf of Finland grew shallow and receded to the north, the site began to lose its maritime importance. In 1703, during the Great Northern War, a major Russian army under Boris Sheremetev regained Koporye, which was defended by 80 Swedish soldiers under the commandant, Captain Wasili Apolloff. Huge gaps in the walls from the disastrous fire of the Russian artillery may still be seen.
Despite some repairs undertaken in the 19th century, the fortress survives in a ruined state. Also ruined is the 15th century Church of the Transfiguration within the fortress.
References:The Church of the Savior on Spilled Blood is one of the main sights of St. Petersburg. The church was built on the site where Tsar Alexander II was assassinated and was dedicated in his memory. Construction began in 1883 under Alexander III, as a memorial to his father, Alexander II. Work progressed slowly and was finally completed during the reign of Nicholas II in 1907. Funding was provided by the Imperial family with the support of many private donors.
Architecturally, the Cathedral differs from St. Petersburg's other structures. The city's architecture is predominantly Baroque and Neoclassical, but the Savior on Blood harks back to medieval Russian architecture in the spirit of romantic nationalism. It intentionally resembles the 17th-century Yaroslavl churches and the celebrated St. Basil's Cathedral in Moscow.
The Church contains over 7500 square metres of mosaics — according to its restorers, more than any other church in the world. The interior was designed by some of the most celebrated Russian artists of the day — including Viktor Vasnetsov, Mikhail Nesterov and Mikhail Vrubel — but the church's chief architect, Alfred Alexandrovich Parland, was relatively little-known (born in St. Petersburg in 1842 in a Baltic-German Lutheran family). Perhaps not surprisingly, the Church's construction ran well over budget, having been estimated at 3.6 million roubles but ending up costing over 4.6 million. The walls and ceilings inside the Church are completely covered in intricately detailed mosaics — the main pictures being biblical scenes or figures — but with very fine patterned borders setting off each picture.
In the aftermath of the Russian Revolution, the church was ransacked and looted, badly damaging its interior. The Soviet government closed the church in the early 1930s. During the Second World War when many people were starving due to the Siege of Leningrad by Nazi German military forces, the church was used as a temporary morgue for those who died in combat and from starvation and illness. The church suffered significant damage. After the war, it was used as a warehouse for vegetables, leading to the sardonic name of Saviour on Potatoes.
In July 1970, management of the Church passed to Saint Isaac's Cathedral (then used as a highly profitable museum) and proceeds from the Cathedral were funneled back into restoring the Church. It was reopened in August 1997, after 27 years of restoration, but has not been reconsecrated and does not function as a full-time place of worship; it is a Museum of Mosaics. Even before the Revolution it never functioned as a public place of worship; having been dedicated exclusively to the memory of the assassinated tsar, the only services were panikhidas (memorial services). The Church is now one of the main tourist attractions in St. Petersburg.