In the Middle Ages, the island of Konevets (Konevitsa or Kononsaari in Finnish) was considered holy by the Finnish tribes who particularly revered a huge boulder in the shape of a horse's skull, weighing more than 750 tons. This boulder is known as Kon’-Kamen’ (literally, "Steed-Stone") and gives its name to the island.
The Konevsky monastery was founded around 1393 by St. Arseny Konevsky, who wished to convert pagan Karelians to Christianity. The location of the monastery was changed several times, in order to avert floods. The church of the Nativity of the Theotokos was founded by St. Arseny in 1428; it was at this church that the monastery's main shrine was placed. It was a miraculous image of Mother of God, brought by St. Arseny from Mount Athos and representing Christ playing with a dove nestling, symbolizing spiritual purity.
Like the Valaam Monastery, the abbey at Konevets was known for its missionary activities. The Swedes captured the island during the Ingrian War, forcing the monks to retreat to Novgorod. Only after Russia retook the territory in the course of the Great Northern War they were allowed to reclaim their ancient possessions in Konevets. The revived cloister depended upon Novgorod until 1760, when it was officially recognized as a separate monastic establishment.
In 1812, after the Finnish War the monastery administratively became part of the newly formed Grand Duchy of Finland, along with the rest of "Old Finland". The golden age of the monastery came with the 19th century, when its fame spread to the imperial capital and the island was visited by eminent visitors from Saint Petersburg, including Alexandre Dumas and Fyodor Tyutchev. A 1873 essay by Nikolai Leskov describes his impressions from the monastery.
As a consequence of its high profile, the monastic community could fund extensive building projects, starting with the construction of a new cathedral in 1800–09. This huge two-storey eight-pillared building was designed by a local starets. It is surmounted by five octagonal drums bearing five blue bud-shaped domes. The same style is applied to the three-storey belltower (1810–12), rising to the height of 35 meters. Several other churches, a quay and an inn were added in the course of the century. Two sketae were set up to mark the ancient locations of the monastery.
After the Russian Revolution of 1917, the monastery passed to the newly independent Finland, and came under the jurisdiction of the autonomous Finnish Orthodox Church under the Ecumenical Patriarchate of Constantinople. The island was fortified by the Finnish military, and the inn was expropriated to house a regiment staff. During the Winter War and Continuation War the monastery buildings were damaged. On 13 March 1940 the Winter War ended. The previous day the monks had been evacuated to the interior of Finland, taking the holy icon with them, but leaving the iconostasis, church bells, and the library. Another personal possession of St. Arseny, the Konevsky Psalter, dated to the 14th century, was sent to the Russian National Library. In 1940, the monks bought an estate named Hiekka (‘Sands’) from the Saastamoinen company in Keitele, and the monastery continued to function there until 1956.
The monks returned for a brief period during the Continuation War, but withdrew on 19 June 1944, ten days after the Soviet Union began the Offensive on the Karelian Isthmus, even though the Soviet troops never conquered the island or the adjacent shoreline on the isthmus. These areas were ceded to the Soviet Union after the 1994 Moscow Armistice of September 19, 1944. In 1956 the monks joined the New Valamo Monastery in Heinävesi.
During the Soviet period, the monastery housed a military unit. In 1990 it became one of the first monasteries in the region to be revived by the Russian Orthodox Church. In November 1991, the brethren announced the discovery of St. Arseny's relics, that apparently had been hidden from the Swedes in 1573. By 2004, the Konevsky Monastery, which hosts a large number of tourists and pilgrims, had been mostly restored.References:
Lübeck Cathedral is a large brick-built Lutheran cathedral in Lübeck, Germany and part of the Lübeck UNESCO World Heritage Site. In 1173 Henry the Lion founded the cathedral to serve the Diocese of Lübeck, after the transfer in 1160 of the bishop's seat from Oldenburg in Holstein under bishop Gerold. The then Romanesque cathedral was completed around 1230, but between 1266 and 1335 it was converted into a Gothic-style building with side-aisles raised to the same height as the main aisle.
On the night of Palm Sunday (28–29 March) 1942 a Royal Air Force bombing raid destroyed a fifth of the town centre. Several bombs fell in the area around the church, causing the eastern vault of the quire to collapse and destroying the altar which dated from 1696. A fire from the neighbouring cathedral museum spread to the truss of the cathedral, and around noon on Palm Sunday the towers collapsed. An Arp Schnitger organ was lost in the flames. Nevertheless, a relatively large portion of the internal fittings was saved, including the cross and almost all of the medieval polyptychs. In 1946 a further collapse, of the gable of the north transept, destroyed the vestibule almost completely.
Reconstruction of the cathedral took several decades, as greater priority was given to the rebuilding of the Marienkirche. Work was completed only in 1982.
The cathedral is unique in that at 105 m, it is shorter than the tallest church in the city. This is the consequence of a power struggle between the church and the guilds.
The 17 m crucifix is the work of the Lübeck artist Bernt Notke. It was commissioned by the bishop of Lübeck, Albert II. Krummendiek, and erected in 1477. The carvings which decorate the rood screen are also by Notke.
Since the war, the famous altar of Hans Memling has been in the medieval collection of the St. Annen Museum, but notable polyptychs remain in the cathedral.
In the funeral chapels of the southern aisle are Baroque-era memorials by the Flemish sculptor Thomas Quellinus.