In 1632 the future Patriarch Nikon attempted to escape from the Solovki to the Kozheozero Monastery in the south. As Nikon later recalled, a tempest broke out and his life was at peril. The monk began to pray to the holy cross and soon his boat was cast a shore on Kiy Island, where he erected a wooden cross to thank heaven.
Twenty years later, he went from Novgorod to the Solovki in order to bring the relics of Metropolitan Philip to Moscow. On his way he visited Kiy-Island and was pleased to see his wooden cross still standing. Upon becoming the Patriarch a year later, Nikon ordered a monastery to be established on the spot. The monastery was dedicated to the True Cross in 1656, whereupon 4537 peasants were declared its property.
Under Nikon's supervision, the Krestny Monastery became one of the richest in the region. The patriarch sent to the monks a huge cypress cross, commissioned by him in Palestine as 'an exact replica of the True Cross' and lavishly decorated with jewels. In 1660 he visited the monastery for the last time and dwelled there for a year. It is believed that the wayward patriarch personally selected the location of and designed most buildings to suit his taste. It was for his own use that a singular choir loft was built within the cathedral. A large portion of monastery buildings, including the cathedral, were constructed from local granite, to be in harmony with the rocky setting.
After Nikon's fall from grace, the monastery declined and its possessions were expropriated. The British Royal Navy sacked the island during the Crimean War on 9 July 1854. The following year it was damaged by fire but the Holy Synod decided in favour of restoring the complex. The Communists disbanded the abbey in 1922.
The granite heights of the island are crowned by the four-pillared Cathedral of the Exaltation of the Cross, dedicated in the presence of Nikon on 4 September 1661. Its monumental proportions are deliberately archaic but the overall effect is unusually spacious and light for traditional Russian architecture. There were formerly three domes but only the central one still subsists. Other buildings from Nikon's period include the chapel over the well (1661), the two-storey refectory church of the Virgin's Nativity (1689), the sadly disfigured All Saints Church (1661), and various outbuildings.References:
Lübeck Cathedral is a large brick-built Lutheran cathedral in Lübeck, Germany and part of the Lübeck UNESCO World Heritage Site. In 1173 Henry the Lion founded the cathedral to serve the Diocese of Lübeck, after the transfer in 1160 of the bishop's seat from Oldenburg in Holstein under bishop Gerold. The then Romanesque cathedral was completed around 1230, but between 1266 and 1335 it was converted into a Gothic-style building with side-aisles raised to the same height as the main aisle.
On the night of Palm Sunday (28–29 March) 1942 a Royal Air Force bombing raid destroyed a fifth of the town centre. Several bombs fell in the area around the church, causing the eastern vault of the quire to collapse and destroying the altar which dated from 1696. A fire from the neighbouring cathedral museum spread to the truss of the cathedral, and around noon on Palm Sunday the towers collapsed. An Arp Schnitger organ was lost in the flames. Nevertheless, a relatively large portion of the internal fittings was saved, including the cross and almost all of the medieval polyptychs. In 1946 a further collapse, of the gable of the north transept, destroyed the vestibule almost completely.
Reconstruction of the cathedral took several decades, as greater priority was given to the rebuilding of the Marienkirche. Work was completed only in 1982.
The cathedral is unique in that at 105 m, it is shorter than the tallest church in the city. This is the consequence of a power struggle between the church and the guilds.
The 17 m crucifix is the work of the Lübeck artist Bernt Notke. It was commissioned by the bishop of Lübeck, Albert II. Krummendiek, and erected in 1477. The carvings which decorate the rood screen are also by Notke.
Since the war, the famous altar of Hans Memling has been in the medieval collection of the St. Annen Museum, but notable polyptychs remain in the cathedral.
In the funeral chapels of the southern aisle are Baroque-era memorials by the Flemish sculptor Thomas Quellinus.