User Reviews
Deltaterasserne is one of the largest archaeological sites in Peary Land, the northernmost part of Greenland. These terraces were inhabited circa 4000 - 3700 BC by Independence I and Independence II cultures.
Deltaterrasserne was constructed of large, terraced stones, ranging from 5m to 23m above sea level. Knuth named the site's ruins and caches in order of their descending elevation. These are scattered over 800 m of beach terraces in a multicomponent campsite. The highest of the terrace sites is named Terrace A. Its three ruins contain tent rings, central hearth, charcoal, and a gravel berm periphery, along with a meat cache. Terrace B is located most centrally within the site and also has the most features, including open-air box hearths and dwellings. Terrace C contains only one feature, a cache with a paved lower floor. Terrace D contains caches, dwellings, and an open-air hearth. Terrace E is the lowest of the terraced ruins and features a Stone Age tent ring. A striking resemblance has been noted between the Deltaterrasserne dwellings with those from northern Eurasia.
Hundreds of organic, faunal, and lithic artifacts were recovered. Organic artifacts included items such as axes, charred driftwood, pointed sticks, pins, and birch bark rolls. Faunal artifacts included bird, fish, and mammalian remains. Lithic artifacts include burin spalls. The most common artifacts were microblades, burins, flint flakers, and bone needles. Some needles exhibited rectangular eyeholes, typical of Independence II culture, while others had round eyeholes, typical of Independence I culture. Found at Terrace B was a side prong fragment for a leister or bird dart.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.