Tradition has it that the original Monastery of Valamo was founded in the 12th century or no later than the 14th century. New Valamo or New Valaam is an Orthodox monastery in Heinävesi. The monastery was established in 1940, when some 190 monks from Valamo Monastery in Karelia were evacuated from their old abode on a group of islands in Lake Laatokka (Ladoga) to Eastern Finland. The old Valamo Monastery was quite soon after the outbreak of the Winter War occupied by the armed forces of the Soviet Union.
After a temporary dwelling place the monks decided to settle down in Heinävesi in Eastern Finland. The choice fell on a mansion in Papinniemi, Heinävesi, after the monks had found there, quite surprisingly, an icon of St. Sergius and St. Herman, the founders of Valaam (Valamo) monastery in the 12th century. The monks considered this to be a sign from God. Having received evacuees from the Konevsky (Konevitsa) and Pechenga (Petsamo) monasteries, it is now the only monastery for men of the Finnish Orthodox Church.
There is a museum in Valamo monastery exhibiting the life in Orthodox monasteries from 18th century to present. The exhibition also shows the rebuilding of the monastery in Heinävesi, its ecclesiastical and social relationships and its publishing activities. The liturgical items reveal the high level of technical and artistic expertise that the Russian craft and design industry had achieved.
Only some of the monastery’s treasures are on display. These artefacts are mainly from the 19th century, although some are even from the 17th and 18th centuries. Similar objects are usually not seen, even in church, as the communion objects, the benediction crosses and the ecclesiastical textiles are stored in the sanctuary and the storage areas. The old artefacts are still in use, even though most of them are rarely used.
The cultural centre also hosts special collections on a temporary basis. The Monastery of Valamo has its own restaurant, accommodation and diverse tourist services.
References: Wikipedia, Museums of Southern Savo
Monastery of São Vicente de Fora (Monastery of St. Vincent Outside the Walls) is a 17th-century church and monastery in the city of Lisbon. It is one of the most important monasteries and mannerist buildings in the country. The monastery also contains the royal pantheon of the Braganza monarchs of Portugal.
The original Monastery of São Vicente de Fora was founded around 1147 by the first Portuguese King, Afonso Henriques, for the Augustinian Order. The Monastery, built in Romanesque style outside the city walls, was one of the most important monastic foundations in mediaeval Portugal. It is dedicated to Saint Vincent of Saragossa, patron saint of Lisbon, whose relics were brought from the Algarve to Lisbon in the 12th century.
The present buildings are the result of a reconstruction ordered by King Philip II of Spain, who had become King of Portugal (as Philip I) after a succession crisis in 1580. The church of the monastery was built between 1582 and 1629, while other monastery buildings were finished only in the 18th century. The author of the design of the church is thought to be the Italian Jesuit Filippo Terzi and/or the Spaniard Juan de Herrera. The plans were followed and modified by Leonardo Turriano, Baltazar Álvares, Pedro Nunes Tinoco and João Nunes Tinoco.
The church of the Monastery has a majestic, austere façade that follows the later Renaissance style known as Mannerism. The façade, attributed to Baltazar Álvares, has several niches with statues of saints and is flanked by two towers (a model that would become widespread in Portugal). The lower part of the façade has three arches that lead to the galilee (entrance hall). The floorplan of the church reveals a Latin cross building with a one-aisled nave with lateral chapels. The church is covered by barrel vaulting and has a huge dome over the crossing. The general design of the church interior follows that of the prototypic church of Il Gesù, in Rome.
The beautiful main altarpiece is a Baroque work of the 18th century by one of the best Portuguese sculptors, Joaquim Machado de Castro. The altarpiece has the shape of a baldachin and is decorated with a large number of statues. The church also boasts several fine altarpieces in the lateral chapels.
The Monastery buildings are reached through a magnificent baroque portal, located beside the church façade. Inside, the entrance is decorated with blue-white 18th century tiles that tell the history of the Monastery, including scenes of the Siege of Lisbon in 1147. The ceiling of the room has an illusionistic painting executed in 1710 by the Italian Vincenzo Baccarelli. The sacristy of the Monastery is exuberantly decorated with polychromed marble and painting. The cloisters are also notable for the 18th century tiles that recount fables of La Fontaine, among other themes.
In 1834, after the religious orders were dissolved in Portugal, the monastery was transformed into a palace for the archbishops of Lisbon. Some decades later, King Ferdinand II transformed the monks' old refectory into a pantheon for the kings of the House of Braganza. Their tombs were transferred from the main chapel to this room.