Pavlo-Obnorsky Monastery was founded by Pavel of Obnora in 1414. In the 17th century, this was one of the most influential monasteries in Russia. The monastery was abolished in 1924 and reestablished in 1994. As of 2011, it was one of the four acting monasteries in Vologda Oblast.
The monastery was founded by Pavel of Obnora. Pavel was looking for a remote place, and the area in the 15th century was covered by dense forests. The rules of the monastery, established by Pavel, were very strict by Russian standards. The first hegumen of the monastery was Alexios, a disciple of Pavel, and Pavel himself never took any formal role in the monastery. Some of the icons by Dionisius, one of the most famous Russian icon painters, were made in the monastery and have been preserved in the Tretyakov Gallery in Moscow. In 1538, the monastery was destroyed by Tatars. It was rebuilt, and the existing ensemble of the monastery was formed in the 16th-18th centuries. The idea was to build an image of New Jerusalem. To this end, two artificial hills were erected, one with a church and another one with a chapel. The monastery was abolished in 1924. The buildings were used to host a school, an orphanage, and a sanatorium. It was reestablished in 1994 as a metochion of the Spaso-Prilutsky Monastery. In 2003, the Pavlo-Obnorsky Monastery became an independent entity.
The ensemble of the monastery was pretty much neglected after the monastery was abolished in 1926. The restoration works started in 1990s. The ensemble consists of The Assumption Church (1867), The Resurrection Church (1862) and temporary wooden chapels. The Trinity Church, built between 1505 and 1516, has been demolished. The ensemble of the monastery, as well as separate buildings, are protected as cultural monuments of local significance.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.