Troitse-Gledensky Monastery is located at the place where previously a fortress of Gleden was built in the end of the 12th century by Vsevolod the Big Nest, the Grand Prince of Vladimir. Gleden was the predecessor of Veliky Ustyug and was destroyed in the 15th century during wars between Russian princes. The early history of the monastery is not well documented, however, it is assumed that the monastery was founded at the same time as the fortress, but survived the civil war of the 15th century. Troitse-Gledensky monastery was first mentioned in 1492. By 1725, the monastery has 24 monks and 176 priests and deacons. By the same year, it owned 60 villages with the total population of about 1000.
In the beginning of the 19th century, the monastery lost any significance, and there were two to four monks living there. The monastery was abolished in 1841, re-established in 1912 as a female monastery and in 1918 transformed into an agricultural commune. The commune was a compromise between the authorities, trying to eradicate any religious movements, and the nuns, who wished to preserve the same way of living they had in the monastery. In 1925, the commune was abolished, since it was judged by the authorities to display too much of the religious fever. The monastery was eventually used as a junior correction establishment, as a center for force resettlement, and as a retirement home. In 1980s, the former monastery buildings were transferred to the Veliky Ustyug Museum.
The architectural ensemble of the monastery originates from 17th and 18th centuries. This is the time when in and around Veliky Ustyug the stone building, churches in the first instance, started to replace the wooden buildings. Almost all the buildings of the monastery preserve the original exterior and interior.
The main church of the monastery is the Trinity Cathedral build as a cube and containing five domes. The Trinity cathedral was the first stone building of the monastery. The construction was initiated by Rostov Metropolitan Iona Sysoyevich, and the cathedral was concecrated in 1707. Mikhaylo-Arkhangelsky Monastery in Veliky Ustyug was used as a prototype for the cathedral. Inside, the cathedral contains a five-row iconostasis carved between 1776 and 1784 by local artists, brothers Nikolay Bogdanov and Timofey Bogdanov. The icons were also painted locally. Next to the cathedral, there is a tented roof bell-tower, built simultaneously with the cathedral.
Another church in the monastery is the Church of the Tikhvin Icon of the Virgin (1729-1740). There is also a wall (1770s) with towers and gates. One of the gates is the Assumption Church.References:
The Palazzo Colonna is a palatial block of buildings built in part over ruins of an old Roman Serapeum, and has belonged to the prestigious Colonna family for over twenty generations.
The first part of the palace dates from the 13th century, and tradition holds that the building hosted Dante in his visit to Rome. The first documentary mention notes that the property hosted Cardinal Giovanni and Giacomo Colonna in the 13th century. It was also home to Cardinal Oddone Colonna before he ascended to the papacy as Martin V (1417–1431).
With his passing, the palace was sacked during feuds, and the main property passed into the hands of the Della Rovere family. It returned to the Colonna family when Marcantonio I Colonna married Lucrezia Gara Franciotti Della Rovere, the niece of pope Julius II. The Colonna"s alliance to the Habsburg power, likely protected the palace from looting during the Sack of Rome (1527).
Starting with Filippo Colonna (1578–1639) many changes have refurbished and create a unitary complex around a central garden. Architects including Girolamo Rainaldi and Paolo Marucelli labored on specific projects. Only in the 17th and 18th centuries were the main facades completed. Much of this design was completed by Antonio del Grande (including the grand gallery), and Girolamo Fontana (decoration of gallery). In the 18th century, the long low facade designed by Nicola Michetti with later additions by Paolo Posi with taller corner blocks (facing Piazza Apostoli) was constructed recalls earlier structures resembling a fortification.
The main gallery (completed 1703) and the masterful Colonna art collection was acquired after 1650 by both the cardinal Girolamo I Colonna and his nephew the Connestabile Lorenzo Onofrio Colonna and includes works by Lorenzo Monaco, Domenico Ghirlandaio, Palma the Elder, Salviati, Bronzino, Tintoretto, Pietro da Cortona, Annibale Carracci (painting of The Beaneater), Guercino, Francesco Albani, Muziano and Guido Reni. Ceiling frescoes by Filippo Gherardi, Giovanni Coli, Sebastiano Ricci, and Giuseppe Bartolomeo Chiari celebrate the role of Marcantonio II Colonna in the battle of Lepanto (1571). The gallery is open to the public on Saturday mornings.
The older wing of the complex known as the Princess Isabelle"s apartments, but once housing Martin V"s library and palace, contains frescoes by Pinturicchio, Antonio Tempesta, Crescenzio Onofri, Giacinto Gimignani, and Carlo Cesi. It contains a collection of landscapes and genre scenes by painters like Gaspard Dughet, Caspar Van Wittel (Vanvitelli), and Jan Brueghel the Elder.
Along with the possessions of the Doria-Pamphilij and Pallavacini-Rospigliosi families, this is one of the largest private art collections in Rome.