Valday Iversky Monastery was founded by Patriarch Nikon in 1653. In the 17th century, the Valday Iversky Monastery was one of the most influential monasteries in Russia and a significant cultural center. By the autumn of 1653, two wooden churches were in use. Nikon also ordered to transfer the relic of Saint Iosif of Borovichi to the monastery, which was done in February, 1654. In the same year, all lands around Lake Valdayskoye, including the selos of Valday, Borovichi, and Vyshny Volochyok, were declared the property of the monastery. The monastery became one of the biggest landowners in Russia.
In 1655, all monks from the former Orsha Kutein Monastery, located in the area of the present-day Belarus, moved to the Valday Iversky Monastery. One monk, Dionisy, was appointed a hegumen. This move was related to a difficult situation of the Orthodox Church in Poland.In the second half of the 17th century, the monastery became a center of culture and education. In particular, the monastery started to print books, the second such institution in Russia after the Moscow Print Yard. Production of porcelain tiles, the first one in Russia, started in the monastery. In 1656, the first stone church was completed. Nikon, as well as a number of metropolitans, personally attended the sanctification. For this occasion, a copy of the icon of Theotocos Iverskaya was made and placed in the monastery. Simultaneously, Nikon issued a prohibition to make further copies of the icon.
In 1666, Nikon was deposed, and all monasteries he supervised, including the Iversky monastery, were abolished. However, already in 1668 the monastery was re-established, and the former monks, including the hegumen, Filofey, returned.
In the 18th century, the monastery slowly declined. Between 1712 and 1730, it was subordinated to the Alexander Nevsky Lavra, located in Saint Petersburg. Much of the treasure kept in the Valday Iversky Monastery was transferred to the Lavra. An attempt to revive the former importance of the monastery was made in the 1850s. After the October Revolution, the monastery was first transformed into a labour cooperative in 1919, and in 1927, it was abolished. The monastery buildings housed a museum, a workshop, a hospital, a retirement home, and a recreation facility. The icon of the Theotocos Iverskaya disappeared in 1927 and was never recovered.
In 1991, the monastery was reopened. In the Peter and Paul Cathedral in Valday, a copy of the icon of the Theotocos Iverskaya, dating from 1854, survived. This copy was transferred to the monastery and remains there.
The construction of the monastery started in the 1650s. The oldest stone church built in the monastery (1656), the Assumption Cathedral, remains intact. Much of the ensemble of the monastery was created in the 1670s by a local architect, Afanasy Fomin. From this period, the Cathedral of the Epiphany, the Church of Archangel Michael, the St. Michael Tower, and the hegumen's chamber remain. The walls and the remaining towers were built at later periods.
References:Manarola is a small town, a frazione of the comune of Riomaggiore. It is the second-smallest of the famous Cinque Terre towns frequented by tourists, with a population of 353.
Manarola may be the oldest of the towns in the Cinque Terre, with the cornerstone of the church, San Lorenzo, dating from 1338. The local dialect is Manarolese, which is marginally different from the dialects in the nearby area. The name 'Manarola' is probably a dialectical evolution of the Latin, 'magna rota'. In the Manarolese dialect this was changed to 'magna roea' which means 'large wheel', in reference to the mill wheel in the town.
Manarola's primary industries have traditionally been fishing and wine-making. The local wine, called Sciacchetrà, is especially renowned; references from Roman writings mention the high quality of the wine produced in the region.