Ter Apel Monastery is the only monastery in the larger area of Friesland and Groningen that survived the Reformation in a decent condition, and the only remaining rural monastery from the Middle Ages in the Netherlands. The convent buildings house a museum for monastery and church history and for religious art, as well as two contemporary art galleries. The former lay church of the monastery still functions as a reformed church.
In 1464, Jacobus Wiltingh, pastor of Garrelsweer and vicar in Loppersum, bequeathed Apell, a settlement among his possessions in the area called Westerwolde, to the Order of the Holy Cross on the condition that a monastery be built there, on the remains of a 13th-century Premonstratensian monastery. The construction, between 1465 and 1561, followed the medieval plan and included the convent building, a gatehouse, water mills, a parchment facility, a bakery, a brewery, and a guesthouse.
The monastery was bequeathed a number of gifts, including a stained glass window in 1561 by Lieutenant Johan de Mepsche and his wife Agnes, depicting Moses and the tablets containing the Ten Commandments. It also derived income from other sources. The grounds surrounding the monastery were rich in loam, which was used in construction.
When the area was conquered in 1593 by William Louis, Count of Nassau-Dillenburg, Catholicism was renounced and the convent, with the entire Westerwolde area, become the property of the city of Groningen; the monastery was saved, unlike hundreds of others in the Netherlands, because the abbot converted to Protestantism.
Storms, fire, and high maintenance costs caused major problems in the centuries after 1600. The monastery underwent many changes until 1930. The west facade was demolished sometime after 1755, and so were the upper floor with the brothers' cells (1834) and the dilapidated vaults in the church (1837). Unlike all the other monasteries in Groningen, a large part of the original buildings remained.
Between 1930 and 1933, on the initiative of the city of Groningen, the remaining buildings were carefully preserved and restored, under the direction of city engineer De Vos Nederveen Cappel. On the ground floor, three of the original four wings were retained: the church for secular canons and lay people in the south wing; the chapter house and sacristy in the east wing; and the refectory (now a cafe), the vaulted supplies cellar, the sub-prior and prior's chambers, and the guest accommodations in the north wing. These wings are connected by an ambulatory, surrounding the cloister. The original medieval cloister garden has been replaced with a herb garden; the location of this garden is the only remaining detail in the Netherlands of such a medieval garden.References:
Les Invalides is a complex of buildings containing museums and monuments, all relating to the military history of France, as well as a hospital and a retirement home for war veterans, the building"s original purpose. The buildings house the Musée de l"Armée, the military museum of the Army of France, the Musée des Plans-Reliefs, and the Musée d"Histoire Contemporaine, as well as the burial site for some of France"s war heroes, notably Napoleon Bonaparte.
Louis XIV initiated the project in 1670, as a home and hospital for aged and unwell soldiers: the name is a shortened form of hôpital des invalides. The architect of Les Invalides was Libéral Bruant. The enlarged project was completed in 1676, the river front measured 196 metres and the complex had fifteen courtyards. Jules Hardouin Mansart assisted the aged Bruant, and the chapel was finished in 1679 to Bruant"s designs after the elder architect"s death.
Shortly after the veterans" chapel was completed, Louis XIV commissioned Mansart to construct a separate private royal chapel referred to as the Église du Dôme from its most striking feature. Inspired by St. Peter"s Basilica in Rome, the original for all Baroque domes, it is one of the triumphs of French Baroque architecture. The domed chapel is centrally placed to dominate the court of honour. It was finished in 1708.
Because of its location and significance, the Invalides served as the scene for several key events in French history. On 14 July 1789 it was stormed by Parisian rioters who seized the cannons and muskets stored in its cellars to use against the Bastille later the same day. Napoleon was entombed under the dome of the Invalides with great ceremony in 1840. In December 1894 the degradation of Captain Alfred Dreyfus was held before the main building, while his subsequent rehabilitation ceremony took place in a courtyard of the complex in 1906.
The building retained its primary function of a retirement home and hospital for military veterans until the early twentieth century. In 1872 the musée d"artillerie (Artillery Museum) was located within the building to be joined by the Historical Museum of the Armies in 1896. The two institutions were merged to form the present musée de l"armée in 1905. At the same time the veterans in residence were dispersed to smaller centres outside Paris. The reason was that the adoption of a mainly conscript army, after 1872, meant a substantial reduction in the numbers of veterans having the twenty or more years of military service formerly required to enter the Hôpital des Invalides. The building accordingly became too large for its original purpose. The modern complex does however still include the facilities detailed below for about a hundred elderly or incapacitated former soldiers.