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The Kholmogory area was at first in historical times inhabited by the Finno-Ugrians, known also as Yems in old Novgorod chronicles, and Karelians. The first Slavonic population to enter to Kholmogory (the name is derived from the Finnish Kalmomäki for 'corpse hill') were Pomors from Vologda area after 1220. As early as the 14th century, the village (the name of which was then spelled Kolmogory) was an important trading post of the Novgorod Republic in the Far North of Russia. Its commercial importance further increased in 1554 when the English Muscovy Company made it a center of its operations in furs. The Polish-Lithuanian vagabonds besieged the wooden fort during the Time of Troubles (1613), but had to retreat in failure. In the course of the 17th and 18th centuries, the settlement was also a place of exile, notably for ex-regent Anna Leopoldovna and her children.
In 1682, the six-pillared Kholmogory cathedral was consecrated; the biggest in the region. It was disfigured by the Communists in the 1930s. Many ancient wooden shrines and mills, however, still survive in the neighborhood. One of the nearby villages is the birthplace of the Russian polymath Mikhail Lomonosov. Local artisans—such as Fedot Shubin—have been famed for their craft of carving the tusks of mammoths and walruses.
In Kholmogory, a craft of Kholmogory bone carving was developed in the 17th century. The bone carvings from Kholmogory were notable for excellent craftsmanship and perfected technique. The best carving masters from Kholmogory were invited to work in the Kremlin Armoury, which performed orders for the tsar’s court. The handicraft reached its peak under the reign of Peter the Great. Currently the carving is being performed at the Lomonosov Bone Carving Factory.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.