The Kholmogory area was at first in historical times inhabited by the Finno-Ugrians, known also as Yems in old Novgorod chronicles, and Karelians. The first Slavonic population to enter to Kholmogory (the name is derived from the Finnish Kalmomäki for 'corpse hill') were Pomors from Vologda area after 1220. As early as the 14th century, the village (the name of which was then spelled Kolmogory) was an important trading post of the Novgorod Republic in the Far North of Russia. Its commercial importance further increased in 1554 when the English Muscovy Company made it a center of its operations in furs. The Polish-Lithuanian vagabonds besieged the wooden fort during the Time of Troubles (1613), but had to retreat in failure. In the course of the 17th and 18th centuries, the settlement was also a place of exile, notably for ex-regent Anna Leopoldovna and her children.
In 1682, the six-pillared Kholmogory cathedral was consecrated; the biggest in the region. It was disfigured by the Communists in the 1930s. Many ancient wooden shrines and mills, however, still survive in the neighborhood. One of the nearby villages is the birthplace of the Russian polymath Mikhail Lomonosov. Local artisans—such as Fedot Shubin—have been famed for their craft of carving the tusks of mammoths and walruses.
In Kholmogory, a craft of Kholmogory bone carving was developed in the 17th century. The bone carvings from Kholmogory were notable for excellent craftsmanship and perfected technique. The best carving masters from Kholmogory were invited to work in the Kremlin Armoury, which performed orders for the tsar’s court. The handicraft reached its peak under the reign of Peter the Great. Currently the carving is being performed at the Lomonosov Bone Carving Factory.References:
The Odeon of Herodes Atticus is a stone theatre structure located on the southwest slope of the Acropolis of Athens. It was built in 161 AD by the Athenian magnate Herodes Atticus in memory of his wife, Aspasia Annia Regilla. It was originally a steep-sloped theater with a three-story stone front wall and a wooden roof made of expensive cedar of Lebanon timber. It was used as a venue for music concerts with a capacity of 5,000. It lasted intact until it was destroyed and left in ruins by the Heruli in 267 AD.
The audience stands and the orchestra (stage) were restored using Pentelic marble in the 1950s. Since then it has been the main venue of the Athens Festival, which runs from May through October each year, featuring a variety of acclaimed Greek as well as International performances.