Bogoyavlensky Convent is one of the most populous Russian Orthodox convents. It is situated in Kostroma and is known as the location of the ancient Feodorovskaya Icon of God"s Mother. The convent was founded in the 15th century by Nikita, a disciple and a relative of St Sergius of Radonezh.
The five-domed katholikon of traditional Byzantine design was constructed under Ivan the Terrible, starting in 1559. The Tsar accused the father superior and some of the brethren of supporting his rival Vladimir of Staritsa and had them executed in 1570.
The monastery was besieged and taken by Aleksander Józef Lisowski during the Time of Troubles. The attack claimed the lives of 11 monks. A monastic house dates from the 17th century. The other buildings arose from the monastery"s reconstruction in the Russian Revival style in the late 19th century. In 1863 the monastery was transformed into the convent.
After the Revolution the convent was abolished and was not revived until the 1990s. The remains of the wall paintings in the katholikon were destroyed in a recent fire.
References:The Castle of Gruyères is one of the most famous in Switzerland. It was built between 1270 and 1282, following the typical square plan of the fortifications in Savoy. It was the property of the Counts of Gruyères until the bankruptcy of the Count Michel in 1554. His creditors the cantons of Fribourg and Bern shared his earldom. From 1555 to 1798 the castle became residence to the bailiffs and then to the prefects sent by Fribourg.
In 1849 the castle was sold to the Bovy and Balland families, who used the castle as their summer residency and restored it. The castle was then bought back by the canton of Fribourg in 1938, made into a museum and opened to the public. Since 1993, a foundation ensures the conservation as well as the highlighting of the building and the art collection.
The castle is the home of three capes of the Order of the Golden Fleece. They were part of the war booty captured by the Swiss Confederates (which included troops from Gruyères) at the Battle of Morat against Charles the Bold, Duke of Burgundy in 1476. As Charles the Bold was celebrating the anniversary of his father's death, one of the capes is a black velvet sacerdotal vestment with Philip the Good's emblem sewn into it.
A collection of landscapes by 19th century artists Jean-Baptiste-Camille Corot, Barthélemy Menn and others are on display in the castle.